A Quote by Meital Dohan
The new film I'm shooting in Jerusalem - which is partly why I'm here in Israel - is something I co-wrote.
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If the U.S. decides Jerusalem is the capital of Israel, that does not mean that Jerusalem is the capital of Israel. Because the whole world is saying Jerusalem is not the capital of Israel.
I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.
In the Jewish tradition, there is at the same time Jerusalem in the heavens and Jerusalem on the ground. Jerusalem is a living city, but also the heart, the soul of the Jewish people and the state of Israel.
The Knesset is in Israel, and the Western Wall is in Israel, and the sooner the Obama administration realizes this, the closer it will be to a Middle East policy worthy of our country and its long alliance with our ally in Jerusalem - which is, actually, the capital of the state of Israel.
Which Israel should we recognize? The Israel of 1917; the Israel of 1936; the Israel of 1948; the Israel of 1956; or the Israel of 1967? Which borders and which Israel? Israel has to recognize first the Palestinian state and its borders and then we will know what we are talking about.
Jerusalem is old, Jerusalem is new, Jerusalem can hold Moslem, Christian, Jew.
The U.S. position on Jerusalem was not the reason why there hasn't been progress towards peace. The reason is that both the Israeli government and the Palestinian leadership are divided. And there is an enormous gap between Israelis and Palestinians. To say that this decision is only recognizing reality, that Jerusalem is the actual capital of Israel - well, that's true. But it's a selective recognition of reality.
I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.
There is Israel, for us at least. What no other generation had, we have. We have Israel in spite of all the dangers, the threats and the wars, we have Israel. We can go to Jerusalem. Generations and generations could not and we can.
Millions of Americans have contributed to building a stronger Israel; I've been proud to be one of them. Last year, I went to Jerusalem to help dedicate in my father's name a new MDA medical facility which treats people of all faiths and all nationalities absolutely equally.
We regard it as our duty to declare that Jewish Jerusalem is an organic and inseparable part of the State of Israel, as it is an inseparable part of the history of Israel, of the faith of Israel.
I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.
There are many Palestinians who believe there is no way to recognize Israel as a Jewish state. They call for the right of the return of refugees to Israel - something which is unacceptable for the consensus in Israel and which strikes at the very heart of this issue.
For the last 10 years, I've felt increasing pressure to stop shooting film and start shooting video, but I've never understood why. It's cheaper to work on film, it's far better looking, it's the technology that's been known and understood for a hundred years, and it's extremely reliable.
When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
There's not much of a difference shooting something for TV and shooting something for film; the difference is film is in a cinema and TV is in your home.
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