A Quote by Mel Brooks

Comedy is serious - deadly serious. Never, never try to be funny! The actors must be serious. Only the situation must be absurd. Funny is in the writing, not in the performing. If the situation isn't absurd, no amount of joke will help.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
I'd say Jon Stewart has remained funny the entire time. Jon always makes it funny first. And he's just, he's talking about serious things, but in a funny way. Other comedians will talk about serious things in a serious way, and then you don't know what's going on.
One time when somebody showed up in a wedding dress, but I never knew if it was a joke, or she was serious. She asked me to marry her. She was serious. It was pretty funny.
I try to play serious scenes a little funny and the comedy a little serious.
When the situation is serious, don't be funny; and when the situation is funny, don't be serious!
Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.
I like to watch and perform the kind of comedy that comes out of the situation - where the character is really serious and in a tough situation and doesn't realize that the situation is comic.
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
I always believe that funny is serious and serious is funny. You don't really need a distinction between them.
For me, the music of the Beatles then was serious and very, very serious art. So I couldn't take a picture of John laughing his head off or pulling funny faces because he was a serious artist, even when he was only 20.
What reaches an audience is honesty. If you're saying something truthful that's supposed to be a funny line, it's going to be funny. And if it's supposed to be a serious line, it's going to be serious. But, I don't think there's a distinction between how you play drama or comedy, if it's based in the truth.
I played a lot of serious parts in a lot of TV movies and early miniseries but what happens is that you get sort of locked into "Oh no, he's a serious actor." Well, I was a serious actor for nine years or 10 years and then I get into comedy and everybody said, "Oh no, he's funny. He can do comedy," and then all of a sudden, you're just a comedy guy.
I never like to be the same, whether it be comedy or drama, funny or serious.
If a playwright is funny, the English look for a serious message, and if he's serious, they look for a joke.
If you're playing things sincere in a really absurd, heightened situation, you'll achieve comedy as opposed to just saying funny lines and one-liners and stuff.
Mr. McCabe thinks that I am not serious but only funny, because Mr. McCabe thinks that funny is the opposite of serious. Funny is the opposite of not funny and nothing else.
This site uses cookies to ensure you get the best experience. More info...
Got it!