A Quote by Mel Brooks

I've always loved songwriting, and I vowed to be a songwriter like Cole Porter when I was only 9 years old. — © Mel Brooks
I've always loved songwriting, and I vowed to be a songwriter like Cole Porter when I was only 9 years old.
For many years, I've always been attached to what they call the Great American Songbook, and Kern was a great leader of that because he had the classical training of Europe. He impressed all the greatest composers, like Cole Porter and Gershwin. They couldn't believe he was writing the songs he was writing.
[Cole Porter] sang like a hinge.
I learned classical guitar as a kid at about 7 or 8 years old. When I was about 14, I started dabbling in songwriting. That's when I got into the folky singer-songwriter style.
As far as songwriters, I've always been a fan of Irving Berlin, Cole Porter, and George Gershwin; those guys mean a lot to me.
My mother says I was two-and-a-half when I started playing. My father was a minister, and when he went to church in the morning, she would put on Fats Waller, Billie Holiday, Nat King Cole and Cole Porter records. I'd crawl up on the piano stool, sit on a phone book and play.
Cole Porter had a worldwide reputation as a sophisticate and hedonist.
Cole Porter had a worldwide reputation as a sophisticate and hedonist
My grandmother had always played show tunes from classic musicals at the piano when we were growing up, so that helped me fall in love with Rodgers and Hammerstein, Cole Porter, Lerner and Loewe, etc.
Cole Porter wrote Anything Goes and four more hits for me
Cole Porter wrote Anything Goes and four more hits for me.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
When American poet Alice Notley was very young, she used to sit in front of the radio and just listen. When she got older, she began to hear words and songs in her head everywhere she went - songs she loved, like 'Begin the Beguine' by Cole Porter, and her own words that sometimes tumbled out into poems.
Mercer was very clever. He knew the way Southerners spoke and put that into his lyrics. But in that whole era, you had the best. Harold Arlen was just fantastic. Cole Porter was better than anybody, and Gershwin was Gershwin, y'know. Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole.
I do all the classics, like Dylan, Kristofferson, Jimmy Reed, Mexican mariachi songs, some jazz songs from the '30s. Cole Porter's 'Begin the Beguine,' that's one of my favorites.
I saw a very good Hollywood film the other day. It was about Cole Porter.
When I was 12 years old and first decided I wanted to be a songwriter, the people that I always looked up to were Rodgers and Hammerstein, Leonard Bernstein, and people like that.
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