A Quote by Melissa McCarthy
I've never felt like I needed to change. I've always thought, 'If you want somebody different, pick somebody else.' But sure, criticism can sometimes still get to me. Some things are so malicious, they knock the wind out of you.
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I've never felt like I needed to change. I've always thought, 'If you want somebody different, pick somebody else.' But sure, criticism can sometimes still get to me. Some things are so malicious, they knock the wind out of you. It's like I'm managing to achieve all this success in spite of my affliction... Would you ever put [America's plus-size sweetheart] in the headline for a male star?
I've never felt like I needed to change. I've always thought, 'If you want somebody different, pick somebody else.'
I've always felt that God, himself, has chosen me for his purpose, for higher callings whether it's to be an inspiration to somebody else's life, whether it's to change somebody else's life, or whether it's to be that support or light in somebody else's life.
Sometimes it comes out in what I call tricksy behavior. That's not always easy to deal with, but it's fascinating. The key thing is to make sure that somebody's tricks don't trip up somebody else.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
Through the media, we've establishes this standard of what every human being should look up to: somebody who always looks right; who always has the right light on their face; never has bags under their eyes; never says anything inappropriate. Somebody who always somehow turns out perfect. I hate the fact that celebrities are supposedly a higher class of human being. That's the way I felt growing up, and that's the way I think a lot of people feel. So now that I'm in this position, I want to change things. I want to be like the patron saint of reality.
I want a human sermon. I don't care what Melchisedek, or Zerubbabel, or Kerenhappuk did, ages ago; I want to know what I am to do, and I want somebody besides a theological bookworm to tell me; somebody who is sometimes tempted and tried, and is not too dignified to own it; somebody like me, who is always sinning and repenting; somebody who is glad and sorry, and cries and laughs, and eats and drinks, and wants to fight when they are trodden on, and don't!
I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.
I always leave disaster for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
I feel like I've been very lucky with the directors. The characters I've been offered, especially lately, have given me the opportunity to play all of these different women. I always wanted that, and it's something that you cannot do by yourself. If you want to play a diversity of characters, somebody else has to have the imagination to give you a role completely out of the box. We depend on somebody else's trust, and these directors are giving me their trust, and I am grateful for that.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
I love Mike Tyson. I was a fan, as everybody else was. The moment somebody stood up to him, he didn't do so well. And that's the same thing with Anthony Johnson. The guy's a bully. He wants to intimidate you; he wants to dominate you. He wants to knock you out. But what happens when you don't knock somebody out? What happens?
I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
Looking at him like that, I felt like I needed something from him, or somebody, and that probably meant that he also needed something from me, or somebody, but the revelation was like looking at spots on a slide. Knowing that it meant something to somebody wasn't the same as it meaning something to you.
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