A Quote by Melissa Rauch

The thing that stand-up does for you is that it toughens you up a bit as far as the business goes. It's hard. If a joke doesn't get a laugh, that's instant rejection. And that's mostly what this business is most of the time: a lot of rejection.
I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian.
I think rejection is a huge part of the business and there's so many cute girls that grow up with kind of being adored or people kind of bending over backwards for them. I see a lot of girls who aren't used to rejection because of that, and now all of a sudden they drop out of the business.
I've had a lot of failures as well and rejection. As actor, it's actually mostly rejection but people think it's mostly success because they only see your successes - the films that get made.
Just coming to L.A. to be a comic and an actor, it's not the kindest world to come to. There's a lot of rejection, which I'm not used to. I hate rejection, but it's about 90 percent of the business.
As actors, we deal with rejection so much more than any other business. So I don't care how much of a genius you are, if you don't have the propensity to be able to get back up every time you get knocked down, then you're not going to survive.
There are no real successes without rejection. The more rejection you get, the better you are, the more you've learned, the closer you are to your outcome... If you can handle rejection, you'll learn to get everything you want.
The thing about stand-ups is you can't really get good unless you're failing in front of a large number of people. That makes stand-up comedy unique: you need a tremendous amount of reserve within you to take the rejection from the audience, and without it, you can't do anything.
It is not rejection itself that people fear, it is the possible consequences of rejection. Preparing to accept those consequences and viewing rejection as a learning experience that will bring you closer to success, will not only help you to conquer the fear of rejection, but help you to appreciate rejection itself.
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
I'm tempted to say that the top three reasons for hopelessness are rejection, rejection, rejection. But let's cast our net wider. 1) Not being able to write as well as we hoped we could. 2) Not being able to write at all. 3) Rejection.
It's extremely difficult and very challenging to be a woman in film and television. Just showing up in this business forces you to know yourself. But I learned how to deal with rejection and get tough when I was working as a model - it taught me how to put myself out there. In a way, my time modelling was a preparation for life.
In the music business, there's a lot of criticism and rejection. If you embrace it, you'll be better off when the adjustment comes.
This game is full of rejection. As an actor, you are being told 'No' an awful lot of the time. You have to keep getting up and carrying on to get to where you want to go.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
The best thing we can do with rejection is to make it a learning experience - rejection is a great teacher.
As far as stand-up comedy, I got into the business later than most, yeah.
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