A Quote by Melissa Rosenberg
Well, I think one of the problems with 'Birds of Prey' was there were too many cooks in that kitchen. The studio, the producers, the network, all had very different visions of what that should be. They should have just let Laeta Kalogridis control that. Instead they decided to try to get their hands in the mix.
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It's quite common for a television show to start off as one thing and end up as something completely different. There are so many cooks in the kitchen - the network, the studio.
Why should I disguise what you know so well, but what the crowd never dream of? We companies are all birds of prey; mere birds of prey. The only question is, whether in serving our own turn, we can serve yours too; whether in double-lining our own nest, we can put a single living into yours.
There is a variety of different kind of producers. I'm a very hands-on, creative producer. I find material that I think would make a good movie or TV show, find the right financier/studio/network, hire a writer, get a good script, find a director, and collaborate with him/her to cast the movie and hire department heads.
I've seen too many things where the end is, 'Well, you should've stuck to traditional values.' I think it was interesting to try to do something different with it.
The story of Gucci is that there were too many cooks in the kitchen.
I think being able to have follow-through, I think a lot of people who are in charge, that is the one quality that you can't forsake. You can get opinions, but you can't have too many cooks in the kitchen when you're envisioning something.
Sometimes I think I was more in control of my life years and years ago, and yet one should make progress; one should learn more every year and become…well, if not happier, then calmer and more able to handle your problems. But I’m not. Sometimes I just seem to make more problems for myself. I do. It makes me feel I haven’t grown up as much as I should have by now.
There is nothing very odd about lambs disliking birds of prey, but this is no reason for holding it against large birds of prey that they carry off lambs. And when the lambs whisper among themselves, "These birds of prey are evil, and does this not give us a right to say that whatever is the opposite of a bird of prey must be good," there is nothing intrinsically wrong with such an argument-though the birds of prey will look somewhat quizzically and say, We have nothing against these good lambs; in fact, we love them; nothing tastes better than a tender lamb.
Every project is different. When I'm working on my albums, I've worked with different producers and they've all had different personalities. The recording studio sets the vibe, and that changes as well.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
I think when you're on a network show, it's crazy how different it is... just being on a network show that reaches that many people. It's not like I'm very famous, but seemingly overnight, I would get recognized more, and it was really weird.
Producers - we always think, "Well, producers are very powerful," but producers don't really have the power. It's the appearance they might, but they don't. Even the actors don't. Even the studio heads don't, because they're beholden to this corporation and what the corporation wants. So no one really has the power, and everybody's trying to get through the day, and everybody's nervous and desperate.
With Metro Station, there were too many people trying to control us. That's not the thing you should do with an artist, I think.
I don't think that a company should own a studio and the network, and program for their own network. It hurts the creativity - it is not a level playing field
I don't think that a company should own a studio and the network, and program for their own network. It hurts the creativity - it is not a level playing field.
I think, there were probably problems with show business where producers and directors would try to get the writing credit also. So they created a rule where the bar, to get your name added to the writing credits, if you've done a revision, is very high if you're also the producer or director.
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