A Quote by Mena Massoud
I can't compete for roles that require me to be Caucasian or African American, even if those characters really connect with me and intrigue me.
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I felt like I wasn't considered for minority or Caucasian male lead roles. There aren't really a lot of roles written for me, and I mean me and who I am in real life.
I always keep my options open. I always say, "Make me an offer and send me the script, and if it's something that I can connect to or relate to..." The character has to intrigue me, and the project overall has to intrigue me. And if it all lines up properly, then we can get into the business side of it. But it's always about the creative first.
People identify with me - everyone does - African American women, Caucasian women, they all identify with me because I'm ethnic.
A young girl reached out to me to be her mentor one day, which I didn't really know anything about. What I did remember was what it was to be alone as an African-American dancer in the ballet world and wanting to connect with someone who looks like me.
A lot of times, I'll get roles where it's the dumb blonde or the cheerleader, and I just have no interest - and it can be a great movie, it really can - or the mean girl; those things don't intrigue me much.
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
All of the 'X-Men' characters really intrigue me. Wolverine is my favorite character.
'The Firebird' just symbolizes a lot for me and my career. It was one of the first really big principal roles that I was ever given an opportunity to dance with American Ballet Theatre, and it was a huge step for the African-American community, I think, within the classical ballet world.
I look in the eyes and I see the heart. As long as it's a human story. I would like to turn on my television and see African American, Hispanic, Asian as well as Caucasian. And I think there are probably more people like me.
I want to work with people that frighten me and excite me, and characters that I don't believe I'm the best person for the part but I'm still gonna try anyway. Those are my favorite roles.
Race is still a powerful force in this country. Any African American candidate, or any Latino candidate, or Asian candidate or woman candidate confronts a higher threshold in establishing himself to the voters ... Are some voters not going to vote for me because I'm African American? Those are the same voters who probably wouldn't vote for me because of my politics.
I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
My strategy is just to always compete. Even if they catch 10 balls on me, I make sure that they have to fight for every one of those. That's worked for me.
So as long as I'm a working actor, I can improve. I want to work with people that frighten me and excite me, and characters that I don't believe I'm the best person for the part but I'm still gonna try anyway. Those are my favorite roles.
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