A Quote by Meryl Streep

It is interesting how fashion filters down and we discover in the "Devil Wears Prada" that we're all prey to trends, even if we think we are not. — © Meryl Streep
It is interesting how fashion filters down and we discover in the "Devil Wears Prada" that we're all prey to trends, even if we think we are not.
I saw 'The Devil Wears Prada.' I don't think it's a reality.
My biggest challenge in making 'The Devil Wears Prada' was simply to maintain a tone of sophistication and reality. It's about the fashion world, or it's set in the fashion world, and that's a world that's easy to mock. It's easy to satirise people trying to lose weight and choosing between fancy clothes.
I love 'The Devil Wears Prada.'
We enjoyed such amazing success on Sex and the City. You don't expect success on that level, it was such a big deal, and it was so intense and wonderful that it is hard for anything else to live up to it, quite frankly. So now I just try to have fun and work with interesting people. I think that there is a perception that certain films won't be popular. So it was great that The Devil Wears Prada did really well.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got The Devil Wears Prada, and its why I even got in the door for Mad Men.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got 'The Devil Wears Prada,' and it's why I even got in the door for 'Mad Men.'
Well, it has to do with very deep things, because it might be that imagining yourself as a girl is a diminishment. But it is something that when I made "The Devil Wears Prada" it was the first time in my life, 30 years of making movies, that a man came up and said I know how you felt. I know how you felt. I have a job like that. People understand.
I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen.
I really loved when Prada Sport came into fashion, which kind of created all the nylon which she had for quite some time. You also wanted a Prada bag, you wanted a Prada shoe, not that you don't today, but that craze for Prada accessories was really big. It was a really big deal.
The fashion world is so interesting because it's always changing, but if you know yourself really well, despite of all the changes in the fashion trends, you know how to stay true to yourself.
I'm a Prada freak and I think they have great eyewear. Even though I don't need glasses, I use them as a fashion accessory.
What I had noticed is that there weren't a lot of women lining up to see a comic book movie, but they were going to line up to see 'The Devil Wears Prada,' which may have been something I wanted to address.
Schiaparelli’s collaborations with Dali and Cocteau as well as Prada’s Fondazione Prada push art and fashion ever closer, in a direct, synergistic, and culturally redefining relationship.
I did work at Christie's for a couple of weeks, getting ready for 'The Devil Wears Prada,' getting people coffee and doing whatever they needed around the office. It was amazing. I got to see some wonderful art, and everybody was really nice. It was great.
Fashion sighs after trends. I want timeless elegance. Fashion has no time. I do. I say: Hello Lady, how can I help you? Fashion has no time to even ask such a question, because it is constantly concerned with finding out: What will come next? It is more about helping women to suffer less, to attain more freedom and independence.
When you discover your sexuality - like when you're little, you don't notice it. Then suddenly you're walking down the street and you're whistled at. And you're like, Oh, I have this power I didn't know about. And you also discover you're kind of prey. And you're like, Wait, that's confusing.
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