A Quote by Merle Haggard

If I hear another line dance song I think I'm going to puke. — © Merle Haggard
If I hear another line dance song I think I'm going to puke.
When I recorded 'Sun,' I wanted to do something with more of a modern sound. I've never done anything like it, and it was fun for me to sing, but I'm not really a dance person per se. However, I would love to hear that song in the club. I think it's a really good dance song.
The bottom line is fans just want to hear a good song. Some people will look underneath to see who wrote it, but they just want to hear a good song. And if they don't hear it, they're not going to buy it just because you wrote it.
Another important time when I feel most alive is when I hear a song that I love so much that all I can do is dance - I feel so free!
When you hear Bollywood, you think about everything mainstream, song-and-dance, hero-heroine. I don't think that will ever go away.
When I hear my teacher say, 'Line up with your partner,' I run to line up and grab my partner and I tell him to walk faster so we could dance faster. I love to dance.
My brother had written 'Ocean Eyes,' and we recorded it, basing all of the production around contemporary and lyrical dance. I think of most songs that way - if you can't dance to a song, it's not a song.
You're not going to hear me do a rap song, you're not going to hear me do a jazz song. We have to be true to our roots, do what we do, and try to do it a little better each time.
You can be a rapper born and raised in go-go music, violence, drugs, crack, Reagonomics, and still, if you hear 'Wake Me Up Before You Go-Go,' you're going to find a way to hum along. Guilty pleasures? It don't matter. Sue me - I like the song. To dance to it is another matter.
One thing I always really enjoyed about Quincy Jones' production technique was that there were so many layers to every song. Like, one week you'd hear a new trumpet-line, then the next week you'd hear - be hearing a new guitar-line.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
My songs, they have just the one chord, there's none of that fancy stuff you hear now, with lots of chords in one song. If I find another chord I leave it for another song.
It is useless not to seek, not to want, for when you cease to seek you start to find, and when you cease to want, then life begins to ram her fish and chips down your gullet until you puke, and then the puke down your gullet until you puke the puke, and then the puked puke until you begin to like it.
I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.
You can hear 'Human Nature' all over our song 'Elevate.' It's an amazing song. That hooky arpeggio in the beginning is great. Unlike most Michael Jackson ballads, even though I'm a huge Michael Jackson fan, this song is kind of restrained. It's not a huge, crazy song you can dance to - it's just this beautiful piece of music.
It's great for me to hear those different reactions because when I travel with a movie like this [World of Tommorow], it's very similar. You'll hear a line in one city get a big laugh, and then in another city, the same line kind of gets a gasp, and that's wonderful.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
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