A Quote by Zacky Vengeance
When we were trying to come up with a concept for our music video for 'The Stage' we basically run through a lot of different ideas, and ultimately, I sat and studied the lyrics that Matt had written - and they really resonated with me.
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Rastafarianism and reggae music have always kind of resonated with me. Those ideas of redemption, liberation and overcoming oppression through music, weed and community. Fighting evil through love and music, I think it's just a really powerful idea.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
A lot of my words come to me when I'm out and about as well, riding the bus or sat in the pub. I went through a stage of going to a strip bar called the White Horse at lunch times and did a lot of writing in there. They were fine with that but I don't know how they would feel about me setting up the easel.
I had a drummer in my band who started teaching me tricks to come up with interesting rhythms. Because I don't come from a musical background, I've never studied music, and I don't know music theory at all, so a lot of stuff I discover on my own are things students would learn in the first grade of music.
Grace Kelly was written after these musicians were trying to mold me into what I should be. I was really angry and so I wrote the song and mailed them the lyrics. They didn't call me back, but two years later it's come full circle.
I'm trying to stay focused - trying to open up again - and the music really did a lot of greatness for me and meeting a lot of people that really had concern and compassion for me.
We all have those dreams of going back in time and seeing what it was like when our parents were younger. Maybe we don't all have that dream. I don't know. Getting to role play or step back to a different moment in time and see things through a different lens is something that resonated with me, for sure. We don't get to do that, generally, but when the right neurological disorder lines up with the right unstable woman, that moment presents itself. Getting to know where we come from is a really profound way of getting to look at who we are.
I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.
Each song had a different way of coming about. In some, the music was written first while others it was the lyrics. We didn't want to overthink anything too much - we just wanted to, writing-wise, chuck out as many ideas as possible.
I grew up in a very music-loving home with a lot of records, a lot of TV, a lot of radio, a lot of video - VHS cinema, basically.
I don't like lyrics that are just thrown together, that were obviously written as you went along, or the song was already written and the guy made up the lyrics in five minutes.
I think, one thing that I've really come to appreciate about my parents as I've got older is you know, how wise they really were. As a kid when I was growing up, as any kid, you think you know every thing and I was no different to that. I had different opinions on a lot of different things then them but the way they raised me, in hindsight, they were right.
Sometimes I get ideas for lyrics in anyplace, but I work a lot in the studio. So I collect little bits of lyrics. I go through the box of lyrics I have and see if something fits.
I was always interested in trying to find how different genres would affect the lyrics that I'd written. Salsa is where most of my songs have been recorded, the genre of salsa. It's very frenetic, fast-paced. And I felt that the lyrics sometimes were being lost.
Ideas come mostly bottoms-up. They come when you have a free flow of ideas and you have people able to combine multiple ideas into one concept... And you've got to have competition, too. You've got to say, 'We're going to have 10 different ideas, nine of them are going to fail, and the one that does the best is going to move forward.'
Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.
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