A Quote by The-Dream

If I do five, six records that sound great, I want it to come out as fast as it can. I don't care how many copies it sells. It's about musically moving the needle. — © The-Dream
If I do five, six records that sound great, I want it to come out as fast as it can. I don't care how many copies it sells. It's about musically moving the needle.
When I put out the records, when I make a distribution deal, those distributors tell me who they sell it to and how many copies. So I want nothing less.
When I think of the artists I admire and seek out musically. It's because I'm curious about where they're going to go the next time they have a chance to put a record out. It's not about where I find them on the radio dial, or how many records they're selling.
My kids love vinyl, I had to teach them how to put the needle on the records. Now they're worried about scratching the records, but it's incredible!
It's how I learned to play guitar - sitting with Led Zeppelin and Cheap Trick records, backing the needle up and learning how to play along. When the band started, by doing something that was very obvious to us and sort of traditional, it set us apart at the time from what was happening musically.
We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
People think six is a great many, when it's children. ...they don't mind six pairs of boots, or six pounds of apples, or six oranges, especially in equations, but they seem to think that you ought not to have five brothers and sisters.
I don't want any of my records to sound like one style throughout. That's why I choose different grooves and songs: tunes that are sensitive and slow as well as pieces that are abstract and fast. The approach I want to take with my records is to give the listener a variety of grooves, concepts, and composers.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
Our company sells about five to six million pounds of sausage a year. We sell it retail and to restaurants. We've got all kinds of products.
I haven't the faintest idea what my royalties are. I haven't the faintest idea how many copies of books sold, or how many books that I've written. I could look these things up; I have no interest in them. I don't know how much money I have. There are a lot of things I just don't care about.
We didn't want to sound like an old and crusty financial institution. We wanted to sound like we were fast moving and that we had this killer technology that was also safe.
Mexico is the second most important destination of U.S. exports. What does this mean? The U.S. sells to our country almost the same as it sells to all the European Union, five times what it sells Brazil. More than what it sells together to Brazil, Russia, China, and India.
The Queen of Air and Darkness tilted back her head and laughed. A more ghastly sound I hope never to hear. ‘Do you think I care about these trifles?’ ‘Murder is no trifle, woman,’ Arthur said. ‘No? How many men have you killed, Great King? How many have you slain without cause? How many did you cut down that you might have spared? How many died because you in your battle-rage would not heed their pleas for mercy?’ The High King opened his mouth to speak, but could make no answer.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
I don't care about how many records I sell, but the main thing is people like it.
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