A Quote by Mia Goth
When I first met Lars [Von Trier] he was sat on the sofa wearing socks and sandals. He wanted me to imagine my cat had died. It took me a while to think about it, but then I felt myself physically crumble. I got myself into a state that was actually pretty hard to get out of.
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If you asked an 18-year-old what they want to do with their life, and the options are 'Transformers' or Lars von Trier, he's probably shipping out for 'Transformers.' If you ask a 26-year-old what he wants to do, 'Transformers' or Lars von Trier, he'd probably pick Lars von Trier. So, my sensibilities are changing as I change.
I adored 'Breaking The Waves,' so when Lars von Trier wanted me in 'Dogville,' I was beside myself with joy. He works in a way that nobody I've ever worked with works.
I get along really well with Lars [von Trier] but definitely during our first meetings I was feeling him out and he definitely says some things that are inappropriate and then you kind of get his sense of humour. I really enjoy him. He's one of my favourite people I've met now. So, he's pretty great.
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
I think you either get along with Lars [von Trier] or you really don't and I really got along with him. I wasn't scared because I talked to Bryce Dallas Howard about Lars.
It rarely happens that I get to work again with the same director. I had such a wonderful time on Antichrist with Lars von Trier, that I was going to do whatever he proposed me to do. When he sent me the script of Christmas, I just loved it. I think I love anything he writes.
I got used to [ Lars Von Trier] doing the narration for 'Dogville' and 'Manderley.' And I said to him I do these narrations for you but you never put me in a film! So he called my bluff and put me in 'Melancholia' and I was thrilled about that.
You see, it took me so long, it was such a struggle, to move myself out of musicals - because I had had a success, nobody wanted to allow me to direct a non-musical picture. It was so hard. And the only way I could get it going was to become a producer myself.
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
I think [ Lars Von Trier] is a fantastic filmmaker. No question. You've got to be ready for him. He's sharp and he's got a sharp tongue and I love that. He doesn't mind it back.
The first day of shooting came, and of course I was nervous. I would lie if I said I wasn't impressed. I mean, Lars von Trier hiring me to be the king in 'Medea'... Lars said, 'Stop! Stop!' And I was so nervous, I turned around and said, 'What is it?' He said, '... Just be a tired king.'
If people remember me for any scene in a Lars von Trier film, I'm extremely honoured and forever grateful.
I was so dorky up until I was about 14 or 15 and started to get a little bit cooler, but I was a socks and sandals girl. I would wear big frilly socks with sandals and all the kids would tease me.
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
I wanted to be a graphic designer from the time I was 15, without ever having actually met one. I lived in the mid-west, not in a media centre, and I didn't know anyone who did that for a living. It took me a while to find out what that thing I wanted to do was actually called, but once I sorted that out I got really interested in it.
When 'Center Stage' first came out, I had some little girls on an airplane who didn't want to actually talk to me but wanted to talk about me at the top of their lungs. And they took pictures of me while I was sleep. And you know what's the worst part? I get really, really airsick.
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