A Quote by Mia Goth
At 14, I was beehived out. I'm glad there are no pictures!
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I actually got signed when I was 14 with Sony Sweden. Things didn't really work out with that, but I'm glad I had the opportunity to be exposed to the industry at a young age.
There's this thing that publishes pictures of people out and about. So when I go out, I do see pictures of myself. I don't know where those pictures come from - I mean, I don't see the cameras. But I guess I'm just not looking for them.
Looking back, I feel like I was really young, and at the time I didn't think that I was that young. It was extremely traumatic and awful and horrible. At the same time, it turned out for the best. I'm glad that I'm not there. I'm glad that it didn't happen when I was 50. I'm glad I didn't have kids. And I got that out of the way. Hopefully. Like, that's probably not going to happen again.
I'm glad the truth is out. I'm glad everyone knows I'm innocent, not guilty.
I started when I was 14. I figured out that's what I wanted to do when I was 14. Even when I was six, I can remember people telling me, "You're gonna be a comedian," and all this stuff.
Actions speak louder than words, and a smile says, 'I like you. You make me happy. I am glad to see you.' That is why dogs make such a hit. They are so glad to see us that they almost jump out of their skins. So, naturally, we are glad to see them.
It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.
We have four million pictures of sports events and add 5,000 a week. If I was 14, I'd have them all over my walls.
I'm glad I wrote the book to show what I found out about the [ Standard Oil Company]. I'm glad many people read my book and found out the truth.
I love that vision-board thing where you cut out pictures that resonate with you so they'll manifest. I've done that since I was three; I cut out pictures of ladies from the JCPenney catalog.
I've taken pictures in at least 14 countries, and nowhere have people told me 'no' more than New York City.
Pictures often sit inside of pictures, but the edges of pictures and objects are rarely subjected to serious challenge; we are presented with distinct, whole pictures and objects.
I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.
I'm grateful for my health, glad I'm making people laugh, glad my wife still likes me after a lotta years, grateful my daughter is growing, glad I don't take myself too seriously, glad L.A. has Astro Burger, grateful to be coming home to Harlem soon. It's a gratitude list. It works.
It fascinates me that there is a variety of feeling about what I do. I'm not a premeditative photographer. I see a picture and I make it. If I had a chance, I'd be out shooting all the time. You don't have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.
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