A Quote by Meagan Tandy

I would absolutely love to do something with Viola Davis or Meryl Streep. I just think both of those women fall so deep into their characters that you are no longer looking at the actresses, you are looking at the characters they embraced.
Two of my favorite actresses are Meryl Streep and Angelina Jolie. So, I would love, love, love to work with them. But I also really love AnnaSofia Robb. There are a lot of great actresses I would love to work with.
I would love to share the screen with Meryl Streep, wouldn't we all? I would love to work with Spielberg and Scorsese; that would be lovely. I'm also a huge fan of Johnny Depp and the way he creates his characters, so that would be fun. I mean, any of the greats, really.
I am looking for strong characters rather than being just a pretty girl. Actresses can do so much more than looking good.
It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters.
As far as actresses go, I love Meryl Streep.
I really admire actresses like Meryl Streep; I would love to have a career like hers.
Ultimately, all characters have some negative and positive energies. That's just how I see it. I didn't go out looking for negative characters; I went out looking for people who have a struggle and a fight to tackle. That's what interests me.
Meryl Streep is exactly as awesome as you would imagine Meryl Streep to be.
Are there women in your world now that have given you those lessons in confidence? Oh absolutely. Meryl [Streep] does it all the time. I think she does it in a way that she doesn't even understand or think she's doing it.
Definitely. Cate Blanchett or Meryl Streep, Julianne Moore - women that have no boundaries, no borders. They can do anything, They can be any character and you accept it and go with it as a viewer, and as an audience member. That's the kind of career that I'm looking for.
One of the things that I really love about doing a film is working with actors and the whole casting process. I feel I'm not looking for actors. I feel I'm looking for characters. If the characters come from Bollywood, fine. If they come from Indian theater, perfect.
I'm still watching all those old-timers really going along, and I'm enjoying it so much, not just looking at the pictures, but looking at the acting. Paul Muni. Beautiful character. Edward G. Robinson. Jimmy Cagney. All those old boys. You don't find those characters anymore.
I would love to have a drink with Meryl Streep or Prince. Those are my top two people I would love to talk to.
All my work is partly biographical. I mean, 'Crash' was absolutely that, absolutely. But you just wouldn't recognize me in most of those characters. But I was in every single one of those characters in 'Crash,' because those were all fears that I had felt. Things that I had thought in my deepest, darkest heart.
I've done movies that have mostly feminine characters and elements, and I think that both 'Heathers' and 'Truth About Cats and Dogs' are, in their own weird ways - they're different ends of the girl movie spectrum, but they're very much centered around the female characters, and I like those movies, and I like working with good actresses.
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