A Quote by Mick Barr

I guess the approach to song writing for me so far has been to use more chords and less math. — © Mick Barr
I guess the approach to song writing for me so far has been to use more chords and less math.
Writing is so wrapped up in ego, but with math one is just trying to get it right, although you're often wrong. I think math helped me become a good critic of myself, come at writing a little less personally.
When I was first learning songs, I'd have a favorite song, and I'd take the chords and twist them around. I'd learn the chords and then play them backward. That was my first experimenting with writing a song.
I think we need more math majors who don't become mathematicians. More math major doctors, more math major high school teachers, more math major CEOs, more math major senators. But we won't get there unless we dump the stereotype that math is only worthwhile for kid geniuses.
I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.
I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.
Many young women are less whole and androgynous than they were at age ten. They are more appearance-conscious and sex-conscious. They are quieter, more fearful of holding strong opinions, more careful what they say and less honest. They are more likely to second-guess themselves and to be self-critical. They are bigger worriers and more effective people pleasers. They are less likely to play sports, love math and science and plan on being president. They hide their intelligence. Many must fight for years to regain all the territory they lost.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
It's not the norm, I guess, to see someone as aggressive as me being more or less very athletic. You see me running, having a big, violent hit, it's going to look bad, but that's the natural ability I've been given. Why would I let it run to the wayside and not use it?
I saw that something changed in terms of the way I approach writing. I don't know. Before, everything was just sort of pieced together; and more and more nowadays I'll have complete songs - chords, lyrics, a melody - and we'll apply to those songs what we feel is required. That has happened much more on Humbug album than on any of the others.
Of course, 'I Will Always Love You' is the biggest song so far in my career. I'm famous for several, but that one has been recorded by more people and made me more money, I think, than all of them. But that song did come from a true and deep place in my heart.
I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.
I can plunk out enough chords to write a song, but I'm completely afraid to play guitar in front of other people. It's a fear of failure, I guess.
A job letter, an interview - even a writing sample - have far less to do with intellect and far more to do with aesthetics than you think.
A good song is a nice set of chords and some good lyrics; a great song is a song that reinvents itself over time. That you can always find something interesting in the more you listen to it - it keeps revealing something to you.
I always approach logic without emotion. The math always equals the math. Regardless of whether I discovered the math before anyone else, or I just decided to accept it, I know what logically makes sense, and I'm going to speak on it every time.
I noticed there were so many people, especially women, who would come up to me having recognized me from TV and say, 'I heard you were a math person, why math? Oh my gosh, I could never do math!' I could just see their self-esteem crumbling; I thought that was silly, so I wanted to make math more friendly and accessible.
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