A Quote by Mick McCarthy

It wasn't a monkey on my back, it was Planet of the Apes. — © Mick McCarthy
It wasn't a monkey on my back, it was Planet of the Apes.

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What I thought was so great about Rise [of the Planet of the Apes ] was that it wasn't a retelling; it was an entering of the universe at a different point. So it's Planet of the Apes. We already know the ending. There's no mystery in that! It becomes Planet of the Apes. So it's not about what is at the end; it's about how did we get there? And that enabled something that was totally fresh, which was an ape-point-of-view movie.
Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'
I wanted to explore the possibility that this could have become 'Planet of the Humans and the Apes' instead of just 'Planet of the Apes,' so I wanted there to be this hope of connection as well as this inexorable pull towards what we know the series becomes.
Because gender can be uncomfortable, there are easy ways to close this conversation. Some people will bring up evolutionary biology and apes, how female apes bow to male apes - that sort of thing. But the point is this: we are not apes. Apes also live in trees and eat earthworms. We do not.
In a weird way, if you look at all the 'Apes' movies, they all seem like different stories in the same universe. 'Beneath the Planet of the Apes' is definitely a continuation, but the other ones jump all around chronologically.
Charles Darwin wrote a famous book in 18 [gibberish]. And that book was an interesting book, cuz it was called "Monkey-Monkey-Monkey-Monkey-Monkey-Monkey-You".
I thought this was the most incredible opportunity. Because 'Planet Of The Apes,' aside from the fantasy element of talking apes, is such an amazing franchise, because under the surface of that genre, you're actually looking at human nature.
Like some of my other movies, 'Conquest Of The Planet Of The Apes' is also a very political film, and many critics still consider it even the best of all the Apes movies, because it conveys a series of political viewpoints.
The matter is - we are actors playing roles [in Planet Apes] and they happen to be in this instance apes but there's no difference. In the scenes that we're playing, if we were to block out the scenes as actors in costumes, it would be no different.
It is rather an unpleasant fact, that the ugliest and awkwardest of brute animals have the greatest resemblance to man: the monkey and the bear. The monkey is ugly too (so we think) because he is like man--as the bear is awkward, because the cumbrous action of its huge paws seems to be a preposterous imitation of the motions of human hands. Men and apes are the only animals that have hairs on the under eye-lid. Let kings know this.
Put it this way: If I had to go back to 1968 and wear the makeup that John Chambers made for the original 'Planet of the Apes' series, I think I would rather wear a unitard.
If 'Star Wars' wasn't enough to prepare me for a dark future, there was the 'Planet of the Apes' franchise, conveniently repeated for me in Los Angeles on KABC's Channel Seven 3:30 movie. Apes enslaving humans! Mutants with boils and an atom bomb! Ape riots in Century City! They killed baby Caesar's parents!
Even as the nineteenth century had to come to grips with the notion of human descent from apes, we must now come to terms with the fact that those apes were stoned apes.
I was a 'Planet of the Apes'-obsessed kid.
I adore all the 'Planet of the Apes' films.
Didn't we learn our lesson from Planet of the Apes?
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