A Quote by Mick Fleetwood
I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.
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We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
It's impossible to tell how you're perceived. I think it's important not to think about it too much, because it really means nothing. Some people think we're a rock band, and that's ridiculous, and the idea of us being a folk band - you sit in a pub in Ireland and hear those guys play, and you're like, 'Yeah, we're definitely not a folk band.'
Folk music is not so much a body of art as it is a process, an attitude, and a way of life; its distinguishing features lie not within the songs themselves, but in the relations of those songs to a folk culture.
We encourage women to become mentors within their communities in order to teach young girls how to thrive in this society. It's a good thing, so, I'm excited about having the platform and this opportunity on My Black Is Beautiful show, because I love my folk.
When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
Bare Foot Folk and is full of really interesting songs, Ange Hardy takes folk tales and creates new folk songs that sound traditional around the story. This is one she's called mother willow tree, it's beautiful
After a long day, folk rest at night. After a long summer, folk play games and sit about in the winter. After a long life folk sit about the fire and stay warm, for the chill of death is upon them, and even the thickest bearskin can't keep off the shivering.
I was a young folk singer, or wanted to be. I really wanted to be a New England folk singer, but they never would accept me. I was always hard to categorize, and people wouldn't know what to make of it.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
I'm a folk preacher. A folk therapist. A folk musician. I come from authentically that which is of my experience. Therefore, the music is strictly from the soul, strictly improvisational.
My older brother was involved in the folk movement. We would gather every weekend in Washington Park. The folk songs were so important to my reality.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
The truth is, my folk-lore friends and my Saturday Reviewer differ with me on the important problem of the origin of folk-tales. They think that a tale probably originated where it was found.
Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening.
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