A Quote by Mick Hucknall
I think my music ran parallel to a lot of people's lives. We were always chugging along in the background.
Related Quotes
We were brought up in a world which was based on Aristotle. Science-wise and everything, that's really quite exciting and you learn a lot. There was one problem: there were parallel realities. And in a parallel reality, there's always one reality that's the prime and the second is always a secondary. And everything's a reflection of something else.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
What artists are doing, and what people who are receiving the arts are doing, is entering into this agreement to occupy a parallel world. The parallel world is ever-expanding. We used to think that it existed only for people who were wealthy, well-born, or educated. It isn't like that.
[Music] is the one thing that connects the dots in all kinds of ways. No matter how you were brought up, no matter what your religious background or political beliefs, people still love to sing along with somebody.
I ran my first race the end of March, 1976. And less than four months later I was Olympic champion. But I had the background. It's not like I just ran one day and all of a sudden became a champion. It was a lot of work.
I don't think of my music as something that works well in the background. And because a lot of it isn't in 4/4, people might not like to dance to it.
We always think of saints as these monks or nuns or popes or priests from centuries ago who were celibate or lived very quiet lives. Maybe we don't know a lot about a lot them but what I'm saying is the saints of the 21st century are gonna be regular people - people who've kissed other people. They're gonna be married people.
You can look at what's happened to America in the last years and say a lot of people were asleep. A lot of people were not staying awake and watching what was going on and facing the pain of that and dealing with it.I don't care if the rest of the audience doesn't think along those lines at all, because the audience is a huge spectrum of people, from people who are introspective to people who just want to be scared and have fun, and all the points in between.
I like philharmonic music a lot. That kind of symphonic music has always been an integral part of the arrangements in many of my songs and background scores.
I'm not trying to be this guy just chugging along. I want to lead the pack.
I was a teenager in the '80s, and I was always a bit dismissive of Houston, as I think a lot of people who considered themselves 'cool music fans' were. She was poppy, bubble gum, making music not considered very cool. But you can't help but dance to some of those songs or feel emotionally affected by 'I Will Always Love You.'
I just sort of grew up with music always in the background like a soundtrack. And it really hit me hard when The Beatles came along, like so many people. That got me started digging back further to Chuck Berry.
People who buy annuities, it turns out, live longer than people who don't, and not because the people who buy annuities are healthier to start with. The evidence suggests that an annuity's steady payout provides a little extra incentive to keep chugging along.
Music is like the genius of humankind, universal... People who have never really taken the time to get into music, their lives are a lot smaller. Kids deserve the richness and dimension of it in their lives.
I have always been into fitness but never into running, in fact, I used to despise it. I'd look at people that ran and think they were crazy.
I think there's a huge parallel that affects my musical taste, and connections that have to do with my ethnic diversity and my musical tastes and the diversity of that. And it's interesting that, growing up on the circuit, it posed such a challenge, not only to me deciding what my identity was amongst my peers, but then on the music side, it was like trying to explain or convince people especially in the music industry that there was a place for what I was trying to do. But at the same time, I think it has a lot to do with timing and even me, like, understanding it.
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