A Quote by Mickey Hart

I thought the '60s was the most exciting time and the most vital music, and we were really together as one mind then. Then afterwards, the songs and the bad drugs, that took its toll.
It was like treading water all through the '60s, and when 1970 kicked in, I thought "We're here. Right." God, this is exciting. I'm going to go for it now. I really felt it was my time. Then Marc Bolan did it first. That really pissed me off.
And what I liked the most about any project was that when it was good, you had a bunch of people trying to accomplish something together who were all acting together as one - that's the most exciting time for me.
I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.
Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.
Daniel Levitin takes the most sophisticated ideas that exist about the brain and mind, applies them to the most emotionally direct art we have, our songs, and makes beautiful music of the two together.
Music that was made in the 60s and 70s did come from a really soulful place. The seed for the songs written in the 90s were planted in those songs, even though they were samples.
The end of the '60s was a terrible time. I was in Los Angeles then, and I remember the night someone ran into the studio and told us about the Manson murders. Then suddenly something happened, the '60s disappeared. The '70s were completely different.
The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.
Most changes in music, most exciting things that happen in music, occur through a miscommunication between people "I thought you said this." Poetry comes out of that too.
In college, I faced an interesting problem. I wanted to play music all the time and yet I wasn't ready for anyone to hear it. To remedy this, I took to retreating to stairwells as a safe place to sing and write music. It was there that I wrote most of my songs in college and really grew into an artist.
I've been listening to a lot of gospel. I think it's the most beautiful kind of music. Just thinking about a group of people on a Sunday morning - no drugs, no partying, just connecting with a higher power. Then there's usually a choir joining together on one or two mics, creating this soulful music. So the recording captures the spirit that comes through.
The choice that I made was from my best music, for the songs that I knew that the public liked. Then, when I recorded my new songs I found that my old material had not faded, it was still current, the music was good and the songs were great. I sat in my house and listened, got the chills, and I thought, how great is that? It hasn't dated, it hasn't gone anywhere, and it's great.
For one person, Haydn is most exciting. Or Bach is the most exciting. For another, it's Carter or Strauss. For me - and for any musician - all of the music is exciting. And if you don't approach it with excitement, we can't be musicians.
I quit drugs before I quit drinking because drugs were taking their toll on me. I was sick of the headaches and the puking and the shitting blood. I figured I'd stop everything but alcohol, but then I overcompensated with drinking. Now I'm totally clean because I don't choose to do either.
What I remember most about junior homecoming was my date getting sick afterwards. That kinda sucked. Then, senior year, someone got gum in her hair when we were dancing. She had to get one of the chaperones to take her to the office and cut up her hair. I felt really bad for her, but it worked out fine
What I remember most about junior homecoming was my date getting sick afterwards. That kinda sucked. Then, senior year, someone got gum in her hair when we were dancing. She had to get one of the chaperones to take her to the office and cut up her hair. I felt really bad for her, but it worked out fine.
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