A Quote by Mila Kunis

It doesn't matter if you're play-pretending crying or play-pretending laughing, you're still play-pretending. — © Mila Kunis
It doesn't matter if you're play-pretending crying or play-pretending laughing, you're still play-pretending.
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
Pretending is not just play. Pretending is imagined possibility. Pretending, or acting, is a very valuable life skill and we do it all the time.
Every character, no matter who you play, at times is pretending to be somebody else. People have a public face and a private face.
A liberal pretending to be a conservative? That's like a straight person pretending to be gay to get greater acceptance.
Pretending can be a bold form of experimentation and inventiveness. In pretending joy or happiness, we may discover or enhance our capacity for it.
I'm not pretending I'm not a nice guy. I'm not pretending I don't have a temper.
There's always the day where you do the effort noises, so there's a lot of grunts, huffing and puffing, pretending like you're hopping over things, pretending like you're getting hit, and pretending like you're kicking. If any of that was recorded, it's some of the silliest stuff I'll ever do, as an actor, but it's fun and liberating, in a way, 'cause no one can see me. I videotape myself doing it sometimes, to send to my friends just to remind us how ridiculous our jobs are.
Sometimes I think everyone is just pretending to be brave, and none of us really are. Maybe pretending is how you get brave, I don't know.
I'm not pretending to be an academic, or to have this down to a science. It's strictly my taste. But there is a connection between everything I play and the sets I put together.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
My success has depended wholly on putting things over on people, so I'm not sure that I'm that great a role model. I am, however, an expert on pretending to be an expert on pretending to be an expert.
Belief demands that you dispense with illusion after illusion, while contemporary common sense requires continual, fluffy pretending - pretending that might as well be systematic, it's so thoroughly incentivised by our culture.
Vampires pretending to be humans pretending to be vampires ... How avant-garde!
When you play a character that's someone real, when you're playing a true story, it's really great, 'cause you're not pretending to make up some silly thing.
When you play a character that's someone real, when you're playing a true story, it's really great 'cause you're not pretending to make up some silly thing.
What are we afraid of? We're afraid of the truth. We're pretending that we live in a democracy, and we're pretending we're free. The insanity is that we live inside of the false stories that we tell each other.
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