A Quote by Mila Kunis
I actually live a very mediocre lifestyle. So I decided to step back and do things not just for the sake of doing them, but because I believe in them and I want to do them.
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Of course we believe these things. We believe in social security. We believe in work for the unemployed. We believe in saving homes. Cross our hearts and hope to die! We believe in all these things. But we do not like the way that the present administration is doing them. Just turn them over to us. We will do all of them, we will do more of them, we will do them better and, most important of all, the doing of them will not cost anybody anything!
There are a lot worse things you can do with all your bucks than giving them to even a mediocre mutual fund - such as, for example, giving them to a mediocre hedge fund. If supporting the lifestyle of a mediocre fund manager is your favorite charity, who am I to stop you?
If there's a group like Amish people, that want to live their own lifestyle – they don't want to live in our city – they want to live out in the country, with their own projects. We’ll put up the buildings for them, design the buildings for them, design the food production systems for them – if they want us to. But we don’t control them.
I make a lot of pots in a year's time and some of them are good and some of them are mediocre and some of them are bad. If they're really bad and I'd be ashamed of them, I throw them out, but if they're mediocre and they'll serve the purpose for which they're designed, that is, a mixing bowl or a soup bowl or a plate or whatever, I sell them. And this income from the sale of these pots permits me to go on and make other pots. It's even more important now that I've quit teaching, because I do not have a teacher's salary to fall back on.
To live within limits. To want one thing. Or a few things very much and love them dearly. Cling to them, survey them from every angle. Become one with them - that is what makes the poet, the artist, the human being.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
Work is important to me. I want to do things for principle, not just for the sake of doing them.
I remember, when I was a child and wrote poems in little clasped books, I used to kiss the books and put them away tenderly because I had been happy near them, and take them out by turns when I was going from home, to cheer them by the change of air and the pleasure of the new place. This, not for the sake of the verses written in them, and not for the sake of writing more verses in them, but from pure gratitude.
She asked me what made me do such a thing. That is an awkward question because I often can't tell what makes me do things. Sometimes I do them just to find out what I feel like doing them. And sometimes I do them because I want to have some exciting things to tell my grandchildren.
When you relate to thoughts obsessively, you are actually feeding them because thoughts need your attention to survive. Once you begin to pay attention to them and categorize them, then they become very powerful. You are feeding them energy because you are not seeing them as simple phenomena. If one tries to quiet them down, that is another way of feeding them.
Now I've got kids, you wouldn't want them to suffer because of a perception of you. I try to be very careful where I do things and make sure I know why I've done them. I wouldn't want them to be stigmatized.
In December 1989, my mother died very suddenly, and that sparked a re-evaluation of what I was doing, and I realized I was mediocre at everything. I was a mediocre IBM employee, I was a mediocre entrepreneur, I was a mediocre artist. I decided that, although my mom wouldn't be around to see it, I wanted to be great at something.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
Chronic sexual predators [to Vachss, pedophiles] have crossed an osmotic membrane. They can’t step back to the other side - our side. And they don't want to. If we don't kill them or release them, we have but one choice. Call them monsters and isolate them.... I’ve spoken to many predators over the years. They always exhibit amazement that we do not hunt them. And that when we capture them, we eventually let them go. Our attitude is a deliberate interference with Darwinism - an endangerment of our species.
First ship them dope, let them deal to brothers, give them guns, step back and watch them kill each other.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
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