A Quote by Chamillionaire
Slim Thug and Z-Ro can make a record together, and even Flip and T.I. can make a record together, but there's a difference between that and Flip and T.I. holding hands and being friends. When people say they want these records, they mean that they want us all to be friends.
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You can expect a record that I put together for you to make you feel good, a record that I put together to make you think, a record to transport you into whatever mood you want to be in. I hope that people associate my name with the brand, and I hope that people associate that brand with excellence. So, you can expect an excellent record.
Sometimes, I want to make a record that's so schizophrenic and so all over the place, and then other times, I want to make a record that's very coherent and very short and together.
I kind of rely on my artist friends to make my physical music worth buying by having them all come together and create beautiful artwork that everyone is gonna want to own to support my record.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
You could have a zillion Facebook followers. Those people don't buy records. It's about a hundred to one...Record companies, they don't have any money so they see social media as the free marketing...So,...'Billy, light yourself on fire and stand upside down, and that'll market the record'. I've spent a lot of time thinking about this. I don't think people by records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it'.
For every Foo Fighters record, we've had two or three beautiful, acoustic-based songs, but they never usually make their way to the record, because we want to make rock records.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
Flip-flopping is kind of an easy thing to identify. During a recent convention, we heard an irate Senator make an angry speech declaring that it is not what you say but, rather, what you do that counts. You flip-flop when you make promises and fail to fulfill them.
Dilla could flip a boring record and make you feel like you were flying.
I still want to make a pop record. I want to make a more sonically current pop record. I maybe want to make people move a little bit more.
R.E.M.'s 'Automatic for the People' - that's probably one of my favourite records - Michael Jackson's 'Thriller' - that's some record - Crowded House's 'Together Alone' - that's brilliant, fantastic record.
What I say on a record and what I say off a record is two different things. And that's always been the case. There's a difference between confidence on a record and arrogance.
I don't like people who make records and then don't ever perform. If you are going to make a record it's important you get out there so people can see you if they want to and get to hear you if they want to.
When I work, my first relationship with people is professional. There are people who want to be your friend right away. I say, "We're not gonna be friends until we get this done. If we don't get this done, we're never going to be friends, because if we don't get the job done, then the one thing we did together that we had to do together we failed."
Even when I was young, I had a reputation for it. I would play with my friends outside, and I was doing all the things you see now a long time ago. I've always done the flip-flap, even when I was young. Stepovers, dummies - I love to dribble. If you speak with my friends, they will say I'm the same Riyad.
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