A Quote by Meera Menon

Through this experience [of makimg movies], I recognized what an extraordinary set of personality traits it takes to be able to succeed in that world, and I was really drawn to the character work we could build with actors as a result.
Actors become actors because they loved entertaining their family by putting on the lampshade and dancing around as a kid, ... That's not my personality. For me, the fun part of making movies is seeing it as a director sees it. I like the architecture of movies. I like knowing what's coming and working to set that up.
It's relatively easy to create an ambiguous character. Any conglomeration of likable and unlikeable traits, chosen at random, will result in an ambiguous character. Getting an audience to deeply identify with a character, on the other hand, is one of the hardest things in the world to do.
My experience with working with really great actors is you don't have to act. All you have to do is listen. And, that's sort of a virtue and a wonderful thing to be able to experience. It's so much less work.
I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.
Johnny Storm is such an iconic character. There's a lot of personality traits and things to him that people are really going to look forward to seeing.
Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, its actions will seem unreal. And without personality, a story cannot ring true to the audience.
I think that personality traits that come through when somebody is really sincere is what makes them beautiful.
My personality is a personality where I get really, really nervous and doubtful about almost everything, which is always a work in progress to build up my confidence a little bit more.
I'm really, really happy with what I do for a living. I mean, that's what I consider work, like being on set, bringing a character to life and, you know, working with other actors and directors and stuff.
I don't slot actors into the image of a character that's already built. I build characters by listening to the voice and the story inside the heart of each actor. Art and life are linked, and expressed through my actors.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
For many years, I was on working on films which were so small of a budget that I could not even build a set. So, when I was finally able to work on set, it was a rewarding moment. I felt the same feeling when the camera changed from 16 mm to 35 mm.
Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
Modern schools and universities push students into habits of depersonalized learning, alienation from nature and sexuality, obedience to hierarchy, fear of authority, self-objectification, and chilling competitiveness. These character traits are the essence of the twisted personality-type of modern industrialism. They are precisely the character traits needed to maintain a social system that is utterly out of touch with nature, sexuality and real human needs.
To be recognized for your hard work is a true honor. An Academy Award nomination is one thing that, five years later, I can't form a sentence about. It has not made me feel like I can work any less hard. It makes me feel like I have to work 100 times as hard, to even be as remotely good, to work through an experience that could take me through that again.
I think most actors don't start out wanting to be either a lead or a character actor. You just really want to work, whatever manifestation that takes.
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