A Quote by Miriam Makeba

I kept my culture. I kept the music of my roots. Through my music I became this voice and image of Africa and the people without even realising. — © Miriam Makeba
I kept my culture. I kept the music of my roots. Through my music I became this voice and image of Africa and the people without even realising.
The music of the westerner comes from Africa, whether they like it or not. The majority of the instruments of the music, of the pop music, rock and roll, or R&B, hip hop, whatever it is, their roots trace back to Africa. So if you are black, white, yellow, or red, whatever you do, it doesn't matter, because your DNA is back in Africa.
We played a lot of live shows, we just kept plugging away and playing music and people kept coming back.
Sometimes, when I play music, I feel as if I am giving life. ... It isn't just notes on the paper anymore: you are recreating the thought, transmitting it. It becomes shareable, but it can never be kept. You go through and at the same time you let go of the experience. That is part of the wonder of music: it can never be kept; it is ephemeral and at the same time enduring.
The modelling was fun but I don't see it the same as music, because with modelling, I was just kind of lucky, I just fell into it. I got discovered at a train station when I'd just turned 15, I was working full-time by 16, moved overseas and then just kept at it and made it a life. Whereas with my music, I've really struggled through and worked hard, learnt how to write and I've kept developing that.
I can be a traditionalist but also play with Luke Bryan and get the crowd to go crazy. I think that mix is a lot of what has kept me going and kept people fired up about the music.
I've always felt like my music would stand for itself and I would stand for myself. So I've kept my music a little bit esoteric, and I've kept the lyrics a little aloof. I try to say something important, but I don't necessarily preach.
We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.
I feel a composer should not crave to sing songs because songs itself decides its voice. The films where I have given music, I have kept my option for the last. I like to make music and not necessarily singing all the songs.
But we believed if we kept on working, if we kept on marching, if we kept on voting, if we kept on believing, we would make America beautiful for everybody.
The Jewish people have been in exile for 2,000 years; they have lived in hundreds of countries, spoken hundreds of languages and still they kept their old language, Hebrew. They kept their Aramaic, later their Yiddish; they kept their books; they kept their faith.
If you don't trust the roots of the modern music in Africa, then there's hope for that music at all.
Just knowing that I'm on Earth to give music and help people create moments in their lives that's unforgettable with my music has kept me grounded.
My own personal theory is that all popular music, in whatever form it is, to me, it all comes from Africa. Whether it's filtered through America or whatever - African-American. But I still think there's something in that roots music that's very, very African, and I think that's what unites people.
Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.
Music in Africa often contains messages. Music in Senegal, and Africa, is never music for music's sake or solely for entertainment. It's always a vehicle for social connections, discussions and ideas.
I went to a high school for the performing arts and I lived and breathed music. It kept me focused; it kept me sane.
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