A Quote by Myrna Loy

If you're bored in New York, it's your own fault. — © Myrna Loy
If you're bored in New York, it's your own fault.
If you hear my idea but don't believe it, that's not your fault; it's mine. If you see my new product but don't buy it, that's my failure, not yours. If you attend my presentation and you're bored, that's my fault too.
If you are bored with your own photography you are really bored with what you are photographing, so pick a new subject about which you are knowledgeable and enthusiastic.
If you're bored and you look bored, that's your fault.
On recent events in a New York hotel room: What happened was not just inappropriate, it was more than that, it was a fault; a fault toward my wife, my children, my friends but also a fault toward the French people who placed in me their hope for change.
I love filming in New York. I love New York movies, too. I just like it when people can take New York and make it their own, because there are so many different New Yorks.
There are a lot of people who can't find housing, who worry about the future, and that insecurity and precarity in their own lives is being exploited by some politicians who are using it to divide us by saying, 'hey it's the fault of new Canadians, it's the fault of refugees, it's the fault of Muslims.'
If you can't write like New York, you have no business living in New York and making New York the locale of your stories.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.
New York is not a place that lets you be indifferent. New York is this kind of place that, wherever you go, wherever you move, you are always confronted by your own time.
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
New York gets under your skin, and I think once you've fallen in love with New York, you take that with you. I love New York.
You must speak the vision of your project in a way that convinces people to pay for it. If they won't pay for it, that is the artist's fault. It is my fault. It is your fault. It is not the executive's fault or the world's.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
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