A Quote by Missy Peregrym

You won't ever see me being totally sexy on 'Rookie Blue.' It's not right for the character, anyway. — © Missy Peregrym
You won't ever see me being totally sexy on 'Rookie Blue.' It's not right for the character, anyway.
So excuse me forgetting, but these things I do You see I've forgotten, if they're green or they're blue Anyway, the thing is, what I really mean Yours are the sweetest eyes, I've ever seen.
I just know as a rookie, a young guy, you see the game totally differently and it could take awhile for it to slow down the right way.
I dont know whether you've ever looked into a miner's eyes for any length of time, that is. Because it is the loveliest blue you've ever seen. I think perhaps that's why I live in Ibiza, because the blue of the Mediterranean, you see, reminds me of the blue of the eyes of those Doncaster miners.
I love my snaggle fangs. They give me character and character is sexy. People comment, but the only person who ever told me to fix them was my mom ... I just went my own way, like daughters do.
To me, sexy is the confident energy a person produces. sexy is the comfortable feeling of being who you are. sexy is not just having beautiful lips, legs and arms; its beyond that. sexy is soul.
Cause I am strong and I can prove it And I got my dreams to see me through It's just a mountain, I can move it And with faith enough there's nothing I can't do And I can see the light of a clear blue morning And I can see the light of brand new day I can see the light of a clear blue morning And everything's gonna be all right It's gonna be okay [lyrics from "Light of a Clear Blue Morning"]
I questioned everything. I didn't see a character developed in Platoon at all. The character in Blue Velvet was much more fascinating to me
I questioned everything. I didn't see a character developed in Platoon at all. The character in Blue Velvet was much more fascinating to me.
Because as an actor, I really feel you cannot judge a character. You have to totally commit to that character. And for me to totally commit to the character, I have to find those places where I understand the sequence of behavior.
I don't think about being sexy, being seductive. What you don't want to see is somebody trying to be sexy. That's the most unsexy thing.
There are times that I see comments on Instagram and Twitter - if you are bashing my character on television, that is fine. I am totally cool with that. I'm a bad guy for a reason. You are supposed to hate me, but when you disrespect me or my work or myself as a character as me personally, that is not okay.
I'm totally comfortable today with the success that Omar and 'The Wire' have brought me - living with that character, being recognized and remembered for that character.
When I write about Mickey Haller as the Lincoln lawyer, I totally see Matthew McConaughey because he took that character when that character was still fairly new to me - only two or three years old - when I knew McConaughey was going to play him. He's also the same age, the right age, in comparison to the book.
The sexy moments for me, I wasn't thinking of them as sexy. I was thinking of them as more specific to my character. So it was necessary for my character's development in the movie, so that's how I played it.
What interests me when I'm writing is being able to crawl into a character's head and speak from his or her mouth. It's not pulling the strings on a marionette, it's not playing ventriloquist, and it's not mimicry. It's about inhabiting a character, and, at the same time, being totally unaware of what you've become.
If you go for an audition, you have a character description, and for the women, it's always about being beautiful, sexy. And for the men it's more about the character than how he appears physically. That annoys me.
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