A Quote by Missy Elliott
If anybody calls me a female Quincy Jones, that's way, way complimentary. That's something I'll cherish for life.
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People ask, "What do you think about being called Puff Mommy?" Puff's a very successful young man, so I don't have a problem if that's what they wanna call me. If anybody calls me a female Quincy Jones, that's way, way complimentary. That's something I'll cherish for life.
Being Latina in the US is something I'm learning about everyday. I don't feel inherently different in any way from anybody else and it is a feeling I cherish and that has helped me avoid thinking of my ethnicity as a potential obstacle from what I want to achieve.
My idol is Quincy Jones.
I'm the hip-hop Quincy Jones of today
I'm the hip-hop Quincy Jones of today.
I was fortunate enough to hook up with Quincy Jones and had a lot of success. But the music of the '80s really changed when the '90s hit. For me to chase that dream or career of music, I started a family, started on 'Melrose Place,' so it was something I didn't have the time or energy.
What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there.
The female mind is capable of understanding analytic geometry... The difficulty may just be that we have never yet discovered a way to communicate with the female mind. If it is done in the right way, you may be able to get something out of it.
To cherish others is to cherish ourselves. To cherish ourselves is to cherish others. And in that same way, we relate to the truth. If we support it, if we embrace it, if we uphold it, we will be embraced by it, we will be supported and upheld by it.
I'm not really interested in a ton of female musicians but there is something about Britney that compelled me - the way she sings and just the way she looks.
I gave the album [You're Under Arrest] to Quincy Jones and he loved "D Train". We couldn't call it "D Train"; it's called "MDI/Something's On Your Mind/MD2". That's on the album.
Whenever anybody comes to me with a way that I can give something back, it would be ungrateful at this point in my life to not say yes.
The reason I wanted to become an organ player was because I heard Ray Charles play on Quincy Jones' arrangement of "One Mint Julep." I heard that sound, and it just struck me. I thought that's what I want to do with my life. That's the sound I want to try to make.
... anybody is as their land and air is. Anybody is as the sky is low or high, the air heavy or clear and anybody is as there is wind or no wind there. It is that which makes them and the arts they make and the work they do and the way they eat and the way they drink and the way they learn and everything.
Anxiously you ask, 'Is there a way to safety? Can someone guide me? Is there an escape from threatened destruction?' The answer is a resounding yes! I counsel you: Look to the lighthouse of the Lord. There is no fog so dense, no night so dark, no gale so strong, no mariner so lost but what its beacon light can rescue. It beckons through the storms of life. It calls, 'This way to safety; this way to home.
I got to meet and work with Barry White, Quincy Jones, Patti LaBelle, even.
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