A Quote by Mr. Carmack

You see further behind you, and you get a chance to see further down the road. I could make a project come out in two years because I can put money aside to wait until that time to do it. That's only because I've had the opportunity to write and put out music every day.
In the years between 'Afterlight' and 'Legacy,' we see a Zu who has watched all of her older friends head out into the world to do meaningful work while she's made to wait and hang back because of her age. It reinforces a feeling in her that she's falling further and further behind and won't ever catch up to them.
I want to continue to constantly put out great music, expand further and further with the live show and music that is attracting music fans from all over the place, not only for ravers or electronic heads.
It strikes me that the only reason to take apart a pocket watch, or a car engine, aside from the simple delight of disassembly, is to find out how it works. To understand it, so you can put it back together again better than before, or build a new one that goes beyond what the old one could do. We've been taking apart the superhero for ten years or more; it's time to put it back together and wind it up, time to take it out on the road and floor it, see what it'll do.
Fast drivers can see no further than slow drivers, but they must look further down the road to time their reactions safely. Similarly, people with great projects afoot habitually look further and more clearly into the future than people who are mired in day-to-day concerns.
The way I see it, if you want the rainbow, you gotta put up with the rain. When I'm inspired, I get excited because I can't wait to see what I'll come up with next. Find out who you are and do it on purpose.
Every time you see him, you only make yourself vulnerable to further heartache. Do you really need further proof that he's getting on with his life without you?
When I'm making music... or writing a bar... I'm not thinking, 'Ah, I can't wait to put this on Spotify! I can't wait to put this on Apple Music!' I don't make music for that. I make music so I can see it - I need to see the reaction. I need to feel it.
We wanted to create an opportunity for people to share anything, on their own terms, revenue and all. Get away from the commerce side of music, which can be exciting and necessary but ultimately dilutes the creative impulse. The further and further you go down that path is sometimes the further you are from the reason why you started making music.
Every time I see a certain room to grow, or a new opportunity to advance further, I go out and take it.
Too many African countries have already hit rock-bottom - ungoverned, poverty-stricken, and lagging further and further behind the rest of the world each day; there is nowhere further to go down.
Reading dreams. That's what started her walking down the road. Every day she'd walk a little further: a mile, and come home. Two miles, and come home. One day she just kept on.
It felt very natural to me to write a Christmas song, but at the same time I had to really put all sorts of pressure aside and just let the creativity flow and see what came out.
Longevity is a huge factor in becoming separate from the mass of people that are just starting, or don't have any friends in the same realm, or don't really have the foundation. So it's good and bad, it's easy and it's hard. It's really what you make of it. Because if it's truly something that you really enjoy and obsess over, then waiting 10 years or waiting 30 years shouldn't be that big of a deal for you. As you get older and as you work harder, you see further down the road.
When I get out on the field, you see me laughing so much because it's a dream come true. A lot of people wish they could do what I do, or wish they had an opportunity to do what I do. But not everybody's granted opportunity. I was, so I'm taking full advantage of it.
I could see jealousy coming up, I could see anger, I could see frustration. I could see people's agendas. I could see my kids going wild - because we never had any money, and suddenly, we had money.
When I got the opportunity to do the new wing [the Schauhaus] for the German Historical Museum, for instance, I didn't see it as an opportunity for my own ego, to do something so exciting that every architectural publication would want to put it on the cover. I accepted it because I knew it was going to be a very difficult project, and I wasn't sure I could do something exciting there.
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