A Quote by Mitch Lucker

We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
An Oklahoma girl like me wouldn't even know how to be a diva. I'm just a person who has a cool job. I love to be at home. I rarely go to clubs... and I always wear underwear! I just know I'd fall down, and that's not for everyone to see.
There's no way to play it cool when you meet Paul McCartney. You just start sweating; you trip over your words. Everyone kind of reverts back to being a 10-year-old girl. You can't help it. He's one of the only people on planet Earth that everyone knows who he is. Everyone.
There's no way to play it cool when you meet Paul McCartney. You just start sweating, you trip over your words. Everyone kind of reverts back to being a 10-year-old girl. You can't help it. He's one of the only people on planet Earth that everyone knows who he is. Everyone.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
I think I was just so ecstatic that I was working, and then as it went on, you know, I started to really appreciate that it ["Freaks and Geeks"] was good and that we were doing something a little different and that, you know, everyone was really cool to work with and that it was really talented group of people, and it was just when I was realizing that, that it got canceled.
I came out to Los Angeles for a couple of meetings in the summer of 2005, and I ended up getting a movie called Firehouse Dog for Fox. And I thought, "Oh, man. I'm doing a movie. Maybe I'll work a lot more now. I'm an actor now." Then, for eight, nine months I didn't work after that. After that movie, I began to get some guest star roles, fairly consistently, but because I had been so presumptuous before in thinking that the other jobs would lead to something, I realized: "Just get up. Go to work. Go home. This is your job just like everyone else's job."
I got to meet a lot of cool people [on the Voice], and my favorite part about the experience was getting to sit around and do little jam sessions in the hotel. We were pretty much in lockdown at the hotel in downtown Los Angeles, and there wasn't much to do. It was interesting to be in a room with someone that was a rapper next to me, a country artist, then you have someone playing a song on the keyboard, and it was just really cool as just a random ensemble.
What's cool about Matador is that everyone I've met there is just so chill and really into what they're doing. Everyone that works there, there's just such a lack of ego, and there's such a commitment to what they're doing. They all like each other.
People think I'm cool - it's a virtue of my job! In real life I'm absolutely not cool, but I think if you have the courage of your convictions, and you're confident in yourself, people will maybe think that you are even if you're really a massive dork. Everyone has a different job where, to someone else, your job is really fancy!
For me, writing is fun. The day I quit my job and take up writing full time, writing will become just another job. A commercial necessity.
I've been star-struck once. I'm a strong believer that everyone's just a person. Whether you've seen someone on screen do something amazing or they're super famous or whatever, everyone's just a person, and they do exactly what all people do.
Writing lyrics is part spontaneous, intuitive and part really thought through and carefully analyzed as you write it. It's a mixture of two approaches, and I imagine writing anything is like that, really. Some of it just flows, and you just go with it.
I never go to the Grammys. I just never go. I don't know if I care enough, and I went because my son wanted to go, and they asked us to present Best Hip Hop Group of the Year. You know, we had two records from Compton in there, and it was just like a cool thing to do, and to do with your son, and it was just cool. But we was the first award up, so after I did my thing I just jumped in the car and came on back home.
Everyone gets laid off and everyone in Hollywood gets unemployment for six months while they're looking for a new job. So I would just do stand-up for six months and think I was really making it, and when my unemployment ran out, I had to get another job immediately.
Everyone Instagrams all the people they are with. I get that it's part of the job. But there's a point where it's like, 'Can't you just be a person and have a separate life to your job?'
My favorite part of touring is when I see girls that I've been talking to on my site and then meeting them in person. I can't believe how well the fans get along together. Everyone just seems to be really cool.
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