A Quote by Mitchel Resnick

I'm pretty skeptical about a lot of the toys on the market, especially for young kids. Most of them just add these new technologies just to make more flashing lights. — © Mitchel Resnick
I'm pretty skeptical about a lot of the toys on the market, especially for young kids. Most of them just add these new technologies just to make more flashing lights.
It's just science fiction so it's allowed to be silly, and childish, and stupid. It's just science fiction, so it doesn't have to make sense. It's just science fiction, so you must ask nothing more of it than loud noises and flashing lights.
With China and North Korea, you never know who you'll fight. The faces are always changing, and suddenly young opponents come up. It's all about winning at the Olympics, not about winning pretty. I'll just keep trying to improve, add more muscle power, and make sure I'm the last one standing.
The more I make films, the more I feel less inclined to talk about them and just let people watch them. I feel that the pictures are telling the story, and I can't really add anything except just talking about the technicalities of what happened on the day.
There is so much in this world to be skeptical about if you want to be a skeptical a**hole. I'm kind of a skeptical a**hole. But not about vaccines, that's just not one of them.
You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.
Whoever the kid had been, whoever had the grand attitude, has finally heeded the admonishment of parents, teachers, governments, religions, and the law: "You just change your attitude now please, young man." This transformation in kids - from flashing dragonflies, so to say, to sticky water-surface worms slowly slipping downstream - is noticed with pride by society and with mortification by God, which is a fantastic way of saying I don't like to see kids throw away their truth just because it isn't worth a dime in the open market.
I'm excited about the emergence of tokens, and while I'm skeptical of many of the early projects being launched, I do believe we are seeing the emergence of an entirely new asset class that will foster the growth of a new investment community, a new set of social networks, and most importantly, a new class of technologies.
Young people today have lots of experience ... interacting with new technologies, but a lot less so of creating [or] expressing themselves with new technologies. It's almost as if they can read but not write.
Kids and just young people in general are usually a lot more, I guess, open-minded to change. Especially when you're really little in elementary school, you don't expect a lot of things from people, so if somebody says, 'I'm switching genders,' you're just sort of like, 'OK, that's new. But cool.'
Everybody thinks that when new technologies come along that they're transparent and you can just do your job well on it. But technologies always import a whole new set of values with them.
Men are nuts. Young men are crazy. We all love toys. I'm toy oriented. I write about toys. I've got a lot of toys. Hundreds of things. But computers are toys, and men like to mess around with smart dumb things. They feel creative.
'The Skeptical Environmentalist' was much more the idea of the scientific argument of realizing that we need to be skeptical about a lot of these stories that we hear and to put them in context.
Tech stocks were the cubic zirconium of the market. They looked good and were sexy, but they just were a way for the company selling them to make money. That's always going to be transient in terms of the stock market. What's real is that companies have to compete. Technology used well is a great tool to enable that if only because most companies dont use technologies well.
Sometimes I have to shut off the omnipresent disco ball and flashing lights that are always in my head. It's a part of maturing, I guess - just learning that it's not just always about a quick, easy fix of getting people to dance.
If you can remain true to the people who know you the best and not be sidetracked by the flashing lights and glimmering of the cameras, it's like, just being down-to-earth and just kind of staying real.
It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance.
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