A Quote by Michelle Beadle

I know how to do the other stuff - the 'Access' stuff and go be goofy and all that. That I can do. For me to sit on a desk, when I know on the other network is Bob Costas and Dan Patrick is a change.
I used to sit in my bedroom and think that all of my favourite pop stars go on stage, they sing, and then they do other normal stuff. I didn't know what goes on or what you let yourself in for.
This whole thing called the internet and all this other kind of stuff is about to go crazy. It's all going to change. But, you know what's not going to change? The talented people.
My job is to explain stuff you don't know or already know and have to unlearn. My job is to teach you stuff you don't know that you need to know, stuff you should know. I'm going to take what you already know and re-describe it.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
You have to adopt a mindset that says, 'Okay, in three months, I'll need to know all this stuff, and then in six months there's going to be a whole other set of things to know - again in a year, in five years.' The tools will change, the knowledge will change, the worries will change.
People know my lyrics; they know the stuff I've written, and it's all about life, love, happiness, and these big euphoric moments. It would always bug me when I'd go to a club, and they're playing some chick on a stripper pole on the monitor behind me. I'm like, 'So that's not what I do - that's the other guy.'
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
I liked what any other kid did back in the day. You know, Bob Seger, Alice Cooper, and everything else that was on the radio in Michigan. There was a lot of Steely Dan; just a lot of great music inspired me.
I know how to run a team and other stuff.
Growing up knowing that I wanted to be a sportscaster and knowing that the best school in the country was right in my back yard, I certainly knew all there was to know about Marty Glickman and about people like Bob Costas and Marv Albert and all of the other greats that have passed through there.
I sit around too much, waiting for other people to do stuff and angsting about stuff they've done, without doing anything myself.
There's no perfect program. And everyone deals with stuff. You know, when you're Ohio State or some of these other big-time programs, stuff becomes a major deal.
I don't know what I want, but I do know that I don't want the usual stuff, the cliched stuff is just too mind-numbing. They sell, I know, but it makes me sad to know that.
I'm dying to play a nice guy! No one's willing to cast me. They know I'm all right at bashing people up, but they don't know if I can do the other stuff. And I can.
'Orange' is fun. Even when we're doing super-intense, emotional, or physical stuff, we're having fun. We're checking in with each other; we know about each other's lives and know each other's families and relationships. We're really friends.
I'm close to my audience. I think I have more tools in my box than other guys who might try it. Also, I know how to do this stuff. I know how to write and shoot and edit. I'm technically adept and that helped with the website. You need a big skill set.
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