A Quote by Michelle Wolf

I've been lucky enough to do a lot of very interesting things, and every time, I've been like, 'I want to put everything into this because I want to see how far I can go with it.'
For a long time, I had been very secretive about a lot of the things I'd been through personally, and a lot of that is purposeful. My fan base, for the large part, is the younger generation. They're like, 'I want to know everything! I want to know it all!'
I have been very lucky because I have had the opportunity to see what it's like to have little or no money and what it's like to have a lot of it. I'm lucky because people make such a big deal of it and, if I didn't experience both, I wouldn't be able to know how important it really is for me. I can't comment on what having a lot of money means to others, but I do know that for me, having a lot more money isn't a lot better than having enough to cover the basics.
I've been doing extremely dangerous activities for a long time, but I've been lucky enough to have survived so far. However, sooner or later we all die... and, if that's the case, I want to die doing what I love to do the most. That's how I view death.
I have been lucky because sometimes things go really pear-shaped with a second or a third part, but I have been lucky enough to be in good sequels.
I want what's mine. I see other actors who are doing very interesting roles, and I just want to continue to do things that are interesting, and things that people will go see in theaters.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
I've been really, lucky and sometimes you think, 'Why? How did this happen to me - what did I do to deserve this?' And you realize how much it's just luck. And then you see that there's a lot of people who are not as lucky as you are, and I want to like share that luck, you know?
I've been reading The Feminine Mystique by Betty Friedan, which is obviously very dated now but still relevant. It's so interesting to see how far we've come and how far we haven't come with all these myths that people put onto women.
I'm very happy with my lot. I like the variety I get. You don't want to spend your life repeating yourself. It's true of any kind of artist, you want to explore as wide and far as you can go, so that's what I've been trying to do.
I don't think as highly of myself as some people make me out to be. I am so far from arrogant, because I have been through enough to know that everything can go away in a moment. You know, I really don't understand why anyone would want to put me on a pedestal.
Every time I go on stage, it's like a first date. I put on my best clothes, shave, and get as handsome as I can. Then I say the cutest things I know to say, and I become the very best Bill Medley I can be because I want to win my date over. My audience is the date that I want to impress every time.
People don't want to pay for pitches. They want to see it. If you hear one more time, "Well, that's execution-dependent." Everything's execution-dependent! If there's something that's going to be a little bit more interesting than The Untitled Slinky Movie, then I think that writers that want to do interesting work and at the same time commercial work need to put it down on paper. So agents and producers that writers are working with are encouraging them to get it on paper because the studios like to see what they're buying rather than just imagine what it could be.
I've been lucky enough to have flown some very interesting aircraft in the past, but SpaceShipTwo is far and away the most exciting of them all.
I've been lucky, I've had movies that made a lot of money, so I don't feel like I have to kill every time out. I don't want that pressure. I don't need it.
I don't like the fact that no one has any imagination anymore. It doesn't pay to be a dreamer because all they really want you to do is answer the phone. Nobody wants you to think about anything new or use your brain or make anything interesting because everything important has already been made. America is over; it's done being brilliant.Everything genius has already been built, like all the great works of art have already been produced.
I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.
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