A Quote by Michel Gondry

The problem is when you get forced to use ideas that aren't good. When I can filter the ideas and use the best of them, I am happy to collaborate. — © Michel Gondry
The problem is when you get forced to use ideas that aren't good. When I can filter the ideas and use the best of them, I am happy to collaborate.
If anything, my problem is, I'm not a genius, it's just that I can write songs very quick. I have a lot of ideas, let's put it that way - I have too many ideas. And my problem is, I stockpile ideas and I get lazy and I don't finish them, and next thing I know, I'm looking around and I've got a hundred song ideas, but are any of them any good? I don't know.
Every idea is my last. I feel sure of it. So, I try to do the best with each as it comes and that's where my responsibility ends. But I just don't wait for ideas. I look for them. Constantly. And if I don't use the ideas that I find, they're going to quit showing up.
I probably have traveled and walked into more variety stores than anybody in America. I am just trying to get ideas, any kind of ideas that will help our company. Most of us don't invent ideas. We take the best ideas from someone else.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
Cat-Ideas and Mouse-Ideas. We can never get rid of mouse-ideas completely, they keep turning up again and again, and nibble, nibble-no matter how often we drive them off. The best way to keep them down is to have a few good strong cat-ideas which will embrace them and ensure their not reappearing till they do so in another shape.
Ideas reflect the moment, and so you have to use them. If you store ideas, they wither.
Not many composers have ideas. Far more of them know how to use strange instruments which do not require ideas.
I get so much energy and I learn so much through collaborating with other people. Ultimately, I think the best music will always be created through collaborations - pooling together skills to create something bigger than any individual. I like to use my own SOPHIE material to present ideas in their most extreme, un-compromised form. I really use those opportunities to express exactly where I'm at in terms of production and writing ideas, as a document of my thoughts and feelings, as well.
People have amazing ideas. The main problem - I won't call it a problem, let's call it a roadblock - is if you use the analogy of a convoy of vehicles going to help a distress situation: they have all the resources needed (food, medicine, everything they need), and as the convoy is traveling, there's a rockslide. You can't get through the road. What good does any of that stuff do when you can't get it to where it needs to go?
If something works for another school, use it. Don't act like you are too good to use other ideas
In teaching, you do not want to COVER things, you want to UNCOVER them. The best way to get good ideas is to have lots of ideas.
I think the reason you use an actor is if they are right for the role. Most of the high-profile stars tend to be good actors. That's probably what led to their fame. So if they are right for the movie, you can certainly use them. But I don't want to, not at all. Stardom and Hollywood overpower the ideas and the film.
Everybody has ideas. The vital question is, what do you do with them? My rock musician sons shape their ideas into music. My sister takes her ideas and fashions them into poems. My brother uses his ideas to help him understand science. I take my ideas and turn them into stories.
I have a lot of sketches and ideas, but when you don't use them, they get stale.
I am happy to get good offers. I would make full use of them.
Usually, the best ideas come from other people's good ideas, which then, after a short gestation period, become your ideas.
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