A Quote by Michelle Dean
Podcast listening carries with it a faint aura of cultural snobbery, a notion that to cue up an episode is to do something highbrow and personally enriching, whether it's a history lecture broadcast from a university or an amateur talk show recorded in someone's garage.
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I have been personally victimized by organized disruption of a public lecture on a university campus - at the University of North Carolina at Chapel Hill, Michigan State University, and Rhode Island's Providence College, to name only a few.
'Aura' is a song where you're looking at yourself in the mirror, and I was personally impacted when I recorded it. I identified with it.
For me personally, I was just worried that transitioning from a podcast, which is a very intimate sort of experience - people tell me they listen to my podcast while they're at the gym or on road trips, so you're in someone's ear - to being on television - that's a lot of space to fill.
Many, perhaps most, very learned people prefer the company of their books to sitting in a crowd listening to history and art being mangled; furthermore, it is unlikely that the venerable scholars will stand up afterward to declare, "This lecture was a load of crap." The more profound a professor's distaste with the proceedings, the more likely he is to melt away at the end of the talk.
I'll go to a city, a school, and give a lecture because I can feel someone there. I inwardly see first their is someone there who is waiting. Where they'll show up or not, I don't know. That depneds upon many factors.
I think, if you're a candidate and you want to be totally safe, and assure that what you say is not going to be recorded or broadcast on the Internet, you have to have something like safe cone. Everything is so viral right now that you have to assume as a candidate that anything you say will be broadcast.
Whether it's TV, radio or podcast, I don't think about how many are listening or watching.
I personally favor old mechanical watches, but my snobbery does not extend to demanding that all people wear them. My snobbery demands that no one wear a digital.
The first time I heard the word 'transgender' had been in a sitcom episode that mocked the potential for cisgender people to find people like me attractive. Every time someone expressed any interest in the gorgeous trans guest character - her identity still a secret to most of the main characters in the show - the laugh track would cue.
There's [John Mulaney Show] jokes that I have in stand up that I wouldn't try to put in, I would try to have someone just speak extemporaneously in the middle of a scene about an episode of "Law and Order" or something.
[Buckminster Fuller] was quite willing to talk. He'd talk at the drop of a hat.I learned to talk in front of people by listening to the way he did things. Because he would give lessons in how to lecture. He would say, "Never take a note, just stand up and start babbling. And then eventually you're going to be able to make some coherent statements, and so it's like you're vamping. And then people will gradually start to listen to you when this spot of logic shows up in this torrent of verbiage.
If you're creating something that has some sort of cultural currency - if the idea is getting out there - then that will probably yield money in some form, whether it's through selling art or selling books or being asked to give a lecture.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
The podcast was kind of an afterthought, because I was just excited about being on the radio. Then I found that the podcast listenership is some 20 times what people are listening to on the radio.
When you listen to the Anthology of American Folk Music, or anything like that - a compilation of garage bands from the Northeast in the early '60s - you're not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You're just listening to the song and whether or not it has a hook.
If you don't work near a water cooler and hanker for the company of fellow natural history enthusiasts, 'The Blue Planet II Podcast' has Emily Knight and Becky Ripley enthusing infectiously about and delving deeper into the most recent episode.
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