A Quote by Michelle Zauner
Even as a teenager, when I made mix CDs for people, it all had this sort of track flow: I like to start off very in-your-face, and kind of chill out towards the end and have this almost, like, denouement.
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I don't really reach out, it has to be organic. If we're in a studio setting and we're feeling the vibe, that's cool, we can make something. Like, I've been in a bunch of sessions with people I haven't made music with. Like, I just chill. I'm not forcing it. I don't DM people like, 'Yooo, I'm trying to get on a track.'
I think I had my first anxiety attack at the age of 10. Then it sort of varied between being so bad that I barely dared to go out to periods where it almost vanished. It's sort of like an ebb and flow thing.
I grew up in the time just when cassettes were waning and CDs were growing. And so mix tapes - and not mix CDs - mix tapes were an important part of the friendship and mating rituals of New York adolescents. If you were a girl and I wanted you - to show you I like you, I would make you a 90-minute cassette wherein I would show off my tastes. I would play you a musical theater song next to a hip-hop song next to an oldie next to some pop song you maybe never heard, also subliminally telling you how much I like you with all these songs.
When you're with a group of semi-psychotic people, you kind of lose track of reality; it's almost like being in some sort of cult or something.
I've been doing four-track songs by myself since I was like a teenager, where I'd sing in a way that I ... I just didn't think other people would like it, so I didn't play it for them but eventually I got over that, which I'm happy that I did, because it's kind of a drag to be playing a kind of music that you don't really like as much as another kind.
I've always bought CDs and even when I was young and at primary school I had a massive collection of CDs. I just like the excitement of opening it, reading the book, learning all the words and things like that. Hopefully I'll always be like that.
I think when, like, things like 'The Wizard' and even like 'Tron,' when it first came out, I was a teenager, and, man, I really wanted to kind of just kind of disappear into it.
We really had the whole piece laid out in like a Word file, just from beginning to end. It was kind of more like your creative-writing class in school. You know, you have the outline and then you just kind of plug the stuff in the little map you've made.
The first track is the end of a string. At the far end, a being is moving; a mystery, dropping a hint about itself every so many feet, telling you more about itself until you can almost see it, even before you come to it. The mystery reveals itself slowly, track by track, giving its genealogy early to coax you in. Further on, it will tell you the intimate details of its life and work, until you know the maker of the track like a lifelong friend.
The smartest move I ever made in showbusiness was to start off looking like the kind of wreck I would end up as. I was already aged in the wood.
Mix CDs are interesting. I'm known more for my artist albums and less for my mix CDs.
The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.
When I am with my family, then I can just sort of switch off. It's kind of weird, because I go back and I go into this bedroom that I have had since I was a teenager. It is like this parallel universe, because one minute I am on the red carpet and then the next I am hiding out in this room I have had since I was 15.
Let's face it, you get home from work and what's the first thing that comes off? It's your bra, isn't it? You don't even take the clothes off. You actually sort of pull it out one of the sleeves and then fling it off. You're free.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it. How you see it in your head is never how you see it on the screen, so it's almost like an out of body experience.
I love essential oils - there's one for every problem. It's kind of like nature's answers for what to put on your skin. I had acne when I was a teenager, and I did a pretty intense tea tree thing. You dilute it in a base oil, like carrot seed oil, which is good because it gives your face a little glow.
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