A Quote by Michelle Zauner
One thing that's nice about writing a book about food is - unless it's from a specific place - you can revisit things easily by preparing the dish. The sensory detail that comes from interacting with that is something that can be recreated pretty easily.
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What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.
The best thing about wearing black is that you can hide pretty easily, unless you're in like Hawaii, then you can't hide.
The nice thing about working in surf films so long is becoming part of the surf tribe. Anywhere I go where there are surfers, I get welcomed pretty easily.
One of the nice things about a second book is that your readers already have so much of the introductions on board, they don't have to put all their attention into figuring out the world and can more easily let that play out as a background to the other things you want to do.
Usually, I use writing as a way to figure out things about me, and I get scared pretty easily about everything. I deal with a lot of depression, so I usually use it as way to find some relief from that.
The great thing about writing 'Deadpool' is that he can demolish expectations and typical comic book conventions with monster truck force. There are few other characters who can transition so easily from one type of story to the next.
Kids love food. It's about putting materials out there that get kids thinking about food - to get kids interacting about food. It's about simple things, like kids thinking about pasta - getting kids to work with food.
I find myself so easily discouraged. It is pathetic how easily I can be discouraged - easily discouraged by resistance, easily discouraged by opposition, easily discouraged by hardness of heart, easily discouraged by blindness.
I think when you're happy, emotions are right near the top - mine definitely are. I cry easily, I laugh easily, I lose my temper easily... and I beg for forgiveness easily.
The thing I liked about writing about food when I started it was that I felt I was writing about food in a different way. Not like a food writer.
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
You can revisit - the wonderful thing about my job is you can revisit your 22-year-old self or your 24-year-old self any particular night you want. The songs pick up some extra resonance, I hope, but they're still - they're there, and I can revisit that period of my life when I choose. So it's quite a nice experience.
I get bored really easily. I get bored with people really easily. I get bored with routine easily. I don’t like things that are average, or normal. I care if I have the best – in the world about that - just wanting that great light that everybody looks at and goes ‘Ahhh’. I feel like that’s what I’ve found in my partner.
Suppose that I see a hungry child in the street, and I am able to offer the child some food. Am I morally culpable if I refuse to do so? Am I morally culpable if I choose not to do what I easily can about the fact that 1000 children die every hour from easily preventable disease, according to UNICEF? Or the fact that the government of my own "free and open society" is engaged in monstrous crimes that can easily be mitigated or terminated? Is it even possible to debate these questions?
That's the nice thing about songwriting: You don't have to punch a clock or be in a specific place to do it. There's really a lot of freedom to it.
There's something special about writing by hand, writing with a fountain pen, and there's something special about writing into a book, to take a blank book and turn it into an actual book.
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