A Quote by Michelle Zauner
I feel like there are a number of indie artists... as they grow, it makes the most sense for them to pivot to pop, to become bigger artists. And I feel like that's when people get really bad, you know? I didn't want to fall into that pitfall.
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I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
Back in the day, artists could be mysterious. Now, people want to know and hear everything about you. They want to see and feel the mess that is life - and who are bigger messes than artists?
I'm inspired by artists like Robyn, just because she writes amazing pop songs, and they're not throwaway. When I listen to a Robyn pop song, I don't feel like she's just kind of saying something and not thinking; I feel like it's really emotional.
The people love when you give them a part of you. You know what I mean? Those are the most successful artists. Artists with a story to tell when the people can feel that they are growing with you.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
For me, I feel like the most important part of music is the storytelling behind it, and that's my favorite; that's what makes my favorite artists my favorite artists, having the story that I relate to the most and that helps me the most.
Maybe it's easier to have that desire guest-spot-packed album, for example, you're a rapper and you need someone to sing the hook. I guess for us, it just kind of feels like we want to explore ourselves more. That sounds kind of cheesy, but I don't know. I have a lot of artists whose music I have this perfect relationship with, and I don't really feel like I need to meet them or get to know them or write with them because of it.
Basically I feel like my role is to find great songs with the artists, for the artists, and have them shine.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
Regular people don't even realize how much artists mean to them. Artists represent a lot to the average person. People listen to music all day on their iPods, so as artists, we become a real fixture in people's lives. As an artist, you can't take it personal. It's like your big brother teasing you.
Pop artists work really hard, and they might not work for the same things that indie artists do, but they're still musicians, and they're still making art.
I feel like I've got the skills to be at the top, I feel like I've got the mind-state, so basically what I'm saying is there's people all around me, there's artists all around me that are in my zone, but I still feel alone. I feel like I can't relate to them as much as I can related to maybe somebody that was a little bit higher up.
I don't really feel like I done made it all the way. I feel like, 'OK, we did this. Then we grinded enough to get to this point. Now we gotta grind enough to get bigger and bigger,' you know?
For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.
I think what really separates artists from the rest of the world is that artists feel like they have permission to keep exploring and expressing their process. Most people censor that because they don't think it's good enough. Everything is measured against this patriarchal hierarchy of value, as if one person's singing voice is more important than another's.
I think foreign countries really do like it when American artists sing in their language. And when you go over there and say, 'Hi, how are you?' in their language, they love it. It makes them feel like you're doing it just for them. We in America take so much for granted.
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