A Quote by Michelle Singletary

My grandmother's grandparents were slaves. My grandmother Big Mama would tell me about the stories she heard as a child growing up in the shadows of a North Carolina plantation. It's only been in my lifetime that blacks have had the right to vote, live in certain areas or hold certain jobs. It is with this black history that I write about the financial challenges African-Americans still have.
My mom's younger sister was born with Down syndrome. I was close to my grandmother when I was growing up. I remember talking to my grandmother about politics, and she told me that she regularly voted for the Democrats because she knew that they were going to look out for people like her daughter. That made an impression on me, too.
I began to write, believing that all I had to do to change things would be to write the other side, to tell the stories that I heard from my grandmother.
Through my grandmother's stories always life moved, moved heroically toward an end. Nobody ever cried in my grandmother's stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I didn't cry, either. Something about my grandmother's stories (without her ever having said so) taught me the uselessness of crying about anything."
I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.
I heard a story about a woman who grew up in Texas. When she was having trouble in her life, she would visit her grandmother, who lived nearby and always had a kind word and some wisdom to pass on. One day she was complaining to her grandmother about some situation and her grandmother just turned to her, smiled sadly, and said, "Sometimes, darlin', you've just got to rise above yourself in this life." I've remembered that wise advice many times as I've faced trouble in my life.
Every February, we celebrate the heritage and contributions of African Americans in North Carolina and around the country. North Carolina holds an important place in African American history going back generations.
My mother would have been so crazy about my grandchildren. She was a fabulous grandmother, and she would have been absolutely crazed as a great-grandmother. I miss that part of her.
I have been grateful for the influence of my grandmother and my grandfather in my life. I remember my grandmother as a queenly woman. My father could be stern, and my grandparents would remind him that we were just boys.
You take a look at the history of African Americans in the US. There's been about thirty years of relative freedom. There was a decade after the Civil War and before north/south compact essentially recriminalized black life. During the Second World War there was a need for free labor so there was a freeing up of the labor force. Blacks benefitted from it.
My grandmother is still a woman who worries about what she looks like when she goes outside. She's from that era, and I can remember saying to her, 'Grandmother, we're just going to the grocery store.' And she'd be like, 'I've got to fix my face!' You were very aware of how you were presenting yourself to society in 1960s Las Vegas.
My Big Mama is my No. 1 financial role model. Much of my advice stems from what she taught me. She never made more than $13,000 a year, yet she paid off her home before she retired. She saved money from every paycheck. She taught me to be skeptical. It makes me cry to think that I'm a nationally syndicated personal finance columnist for one of the world's best newspapers and my core advice comes from my black grandmother who was a nurse's aide with just a high school education.
When I cook certain dishes, I smell my grandmother's kitchen, my grandmother's smells. I thought, 'What a wonderful way to tell a story.'
My grandmother, who picked cotton, and my mom, who picked cotton as a child - my grandmother had a work ethic. She had 13 children that she had to raise and ended up for a time moving into the projects, but because my grandmother had a work ethic, she didn't stay in the projects... that's not how she wanted to raise her children.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
As a child my grandmother used to tell us stories about the dead and the mystical.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
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