A Quote by Michelle Forbes

When I do watch shows, or projects that I've been a part of, I'm pretty good at watching them objectively. And that's mostly because I want to see how it came out overall, what the overall story was and how it came together visually, what my mates were doing.
The biggest threat to your creativity is the fear that it's already been done, said, created. (So why bother?) Say it, do it, make it anyway - but tell YOUR story along the way. The story of how you came to know what you know. The story of what you want to know more of. The story of why you do what you do. The story of how you came to care. And that's how you create what's never been created before.
Lynne Ramsay's 'Ratcatcher' blew me away when it came out. When I started making short films, I would watch that film over and over again, marvelling at how that story visually unfolded.
Any time I put together a story collection, I don't know what it's going to look like overall - or even what the title story is going to be. Over time, I end up with a dozen or so stories, and I start to see a shape to them, how they fit together, and then I write stories that complement or extend that shape.
For people who are coming out of an oral tradition, it is very exciting to get into reading and writing and it is quite interesting how frequently people want to write their own story. Sometimes it is straight history - this is how we came about, how our town was created, a lot of that kind of effort, as soon as literacy came. The first thing you wanted to do was to put something down about who you are or how you are related to you neighbors. Then the next stage would be the stories, the cultural part of the story: this is the kind of world our ancestors made or aspired to.
I pretty much started the lyrics and I hit a roadblock and I think Kerry finished them up. Then I came back and did the ending part. The whole 'Raining Blood.' That part. But it pretty much came together easy. It's a short song.
I want to be a part of good stories. It's not about my role, but the overall story that counts.
I'm human. But overall, whenever I see anyone being made fun of or given a hard time, I rush to their defense. I want to help them because I know how it feels.
I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.
On stage you never watch yourself. You just experience it, and then you go home, and you feel pretty good if you gave a pretty good performance or crappy if you didn't. But in TV and film, you actually have to experience it while you're doing it, and then you have to watch it. And then when you're watching it, you watch it with a different sensibility than how you experienced it.
Most Christians who've been around for a while have their Story in bits and pieces, but have never seen how powerful it really is when assembled as a whole. I want them to see how well it fits together and how it offers tremendous explanatory power regarding the world as we actually find it. I want them to see how it resolves the problem of evil, and why God's solution - the God/man Jesus - is the only solution.
You know how the Beatles broke off - they all did their solo projects and they came back together and they were even stronger!
I think when YouTube first came out, everyone was thinking people were just going to watch five-minute shows from now on and that people didn't have the patience anymore to watch longer programmes. But instead, everyone is binge watching and consuming ten-hour programmes and box sets of shows, so it is really interesting.
The thing is when I started doing standup, you had to have a clean act because that's how you got on television. There weren't all these cable shows. Also, I didn't want to have that kind of act in case my family came to see me or my kid one day.
Some of the justifiable critiques has been by - been so successful in telling this story, you know, there's a danger of saying, oh, well, you know, we don't need to worry about this because that's absolutely not the case. What [Hans] Rosling is doing is showing us an overall global trend, which in a sense tells us how bad things were - doesn't mean to say the problems are gone, doesn't mean to say they're any less.
You have to have an overall vision of how you want people to see you.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
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