A Quote by Micheline Aharonian Marcom
It is perhaps true that that sort of sexual energy wanes over time - as the original impetus loses its luster. And then, I suppose, it's on to the next thing. But eros is eternal, like joy.
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A smile is just such an amazing thing. And to think that some of those people can now smile because they can see you, that gives me that sort of charge, energy... that's what powers up my batteries. That's the joy that I have and that keeps me going. That's my rocket fuel, I suppose.
When guys leave - whether they decide to leave or they're forced out - there's usually this period of time we see them around the world, and they can ride that WWE wave and use it, and then it goes away. It loses its luster after a few months.
There is no fullness of joy in the next life without a family unit, including a husband, a wife, and posterity. Further, men are that they might have joy. In the eternal perspective, same-gender activity will only bring sorrow and grief and the loss of eternal opportunities.
We're all made of stories. When they finally put us underground, the stories are what will go on. Not forever, perhaps, but for a time. It's a kind of immortality, I suppose, bounded by limits, it's true, but then so's everything.
I suppose if I wanted to be the girl next door, I could have been. I think America is confused by someone who appears to be sexual and spiritual at the same time.
Perhaps it's true that love is eternal. But it's appearance changes all the time.
You can't deny Eros. Eros wills trike, like lightning. Our human defenses are frail, ludicrous. Like plasterboard houses in a hurricane. Your triumph is in perfect submission. And the god of Eros will flow through you, as Lawrence says, in the 'perfect obliteration of blood consciousness.
There comes a time, thief, when the jewels cease to sparkle, when the gold loses its luster, when the throne room becomes a prison, and all that is left is a father's love for his child.
Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favor with its original audience as a new generation grows up; then it begins to merge into the softer lighting of
I can sustain the impetus over the long tours we do is by feeding off the energy that we get back from an audience. That's my fuel. All i've got is this burning energy, especially when i've got a guitar in my hands.
I suppose it's unfair, tricks of argument that leave wounds, but with this sort of thing that (C.S.) Lewis does, what I feel is a craftsman's joy at the sight of a superior performance.
Over time, passion wanes, differences don't.
At one point in time in my career, it was like, 'Oh, he never finishes nobody.' Then, the next thing you know, I'm breaking peoples' arms, making them tap out, and knocking them out. Then, the next thing you know, it's, 'Oh, I don't like his personality.' It's like, 'Okay, well, if you don't like who I am, I can't help you there, buddy.'
For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes. Then there is the business of surprise. I never know what is coming next. The phrase that sounds in the head changes when it appears on the page. Then I start probing it with a pen, finding new meanings. Sometimes I burst out laughing at what is happening as I twist and turn sentences. Strange business, all in all. One never gets to the end of it. That’s why I go on, I suppose. To see what the next sentences I write will be.
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