Poets use metaphors and symbolism to construct images. I construct my images in the same way, except that I am using a different form.
[Winning the White House was an achievement], but as an African-American, [Barack Obama], I think the symbolism is in how he conducted himself. The symbolism was in - and this sounds really, really small, but it's actually big for African-Americans - the symbolism was not in being an embarrassment, but to being a figure that folks were actually proud of.
Now you may like the images of long-haired hippies running in the streets throwing tear gas canisters, but we didn't end the war. And that's what we set out to do. What was not ended by the anti-war movement was ended by the Vietnamese. That's our shame.
I don't know a whole lot about symbolism. There seems to me to be a potential danger in symbolism. I feel more comfortable with metaphors and similes.
I think that a symbolism is attached to particular images, becomes marked in the unconscious. To exorcise it, to rearrange it, to reshape it, to make it my own, involves unearthing it, describing it, deploying it inform, and then rearranging it.
Whenever I write, I write what I find to be the way people are. I never use any symbolism at all, but if you write as true to life as you possibly can, people will see symbolism. They'll all see different symbolism, but they're apt to because you can see it in life.
All I had when I began writing the first book was rather vague images conjured up by the notion of a man in a kilt, so essentially I began with Jamie, although I had no idea what his name was at the time.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
The Shaod, it was called. The Transformation... When it came, the fortuante person's life ended and began anew; he would discard his old, mundane existence and move to Elantris. Elantris, where he could live in bliss, rule in wisdom, and be worshiped for eternity. Eternity ended ten years ago.
Slavery ended and left its false images of black people intact
Images exist; things themselves are images... Images constantly act on and react to one another, produce and consume. There is no difference between images, things and movement.
The story of mankind began in a garden and ended in revelations.
I know I began as a passion and have ended as a habit , like all husbands .
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
People will get tired of overly retouched images soon and they'll want something different. If people have too much reality, they want fantasy. What matters most is what the image communicates. I remember the first roll of film I shot at high school, the contact sheet went from these really worthy images of cracks in the wall and ended up with all of my dancer friends naked in Renaissance poses.
For Beatrice, when we met, my life began. Soon afterwards, yours ended.