A Quote by MNEK

Music is so transient. You've just got to move with it. — © MNEK
Music is so transient. You've just got to move with it.
You make music to move people and you don't get to pick who you move. You just don't. It's exclusionary and elitist and I just never felt that way about music, of all things. The great unifier.
Music isn't just a pleasure, a transient satisfaction. It's a need, a deep hunger; and when the music is right, it's joy. Love. A foretaste of heaven. A comfort in grief. Is it too much to think that perhaps God speaks to us sometimes through music? How, then, could I be so ungrateful as to refuse the message?
In the game, you've got some people who've got money, but their music is kind of off, their music is garbage. Then, you have people with good music, but they ain't got the biggest part: They ain't got the funds. But me, I'm just all the way around the board.
We got sacked for the first time when we were just 18 and you realise that this whole industry is transient and changeable.
I can certainly see a band like Nirvana, like when they started having to play to the kind of guys that beat them up in high school - that was probably shocking. But you make music to move people and you don't get to pick who you move. You just don't. It's exclusionary and elitist and I just never felt that way about music, of all things. The great unifier.
We have a lot of respect and love for Bruschi. But he's gone. That's unfortunate for us, but we have to move on. Just like if I got injured they'd have to move on without me. That's just part of the game. That's reality.
I just like music all the way around the board. I can't stick to one thing - I've got to move around.
Every day people say you got to move on with your life. You have to move on. And you just can't.
History proves that all dictatorships, all authoritarian forms of government are transient. Only democratic systems are not transient. Whatever the shortcomings, mankind has not devised anything superior.
When I decided to move to Chelsea, I got a bit of stick at the time, but I didn't move just because of the money or just because it was a big club. I moved there because I wanted to play for them.
Music is like fashion, it's transient and cyclical.
I'd say the key thing is to remain true to what originally got you into music. When I wrote 'Hallelujah,' it ignited me to do music because of the love and joy that I got from writing that song. Down the road, you get all of these opinions from people; just remember what got you started in the first place.
I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
Discriminate between the transient and the eternal. Learn to move from complete control to complete abandon.
I want to create music that you can just vibe to. Put in your car and just you know like you roll all the windows up and you're like dancing and you just don't know why you're dancing but the music just makes you move.
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