A Quote by Moby

The demise of the monolithic record industry has been, for a lot of people, really liberating and emancipating. — © Moby
The demise of the monolithic record industry has been, for a lot of people, really liberating and emancipating.
It's hard to find people to trust in the record industry, always. It's an industry with a lot of bullshit. There's a lot of people who are in positions of power that really know nothing and care for nothing. So I think, yeah, you learn pretty early on that you've really got to trust yourself more than anybody else, and that nobody's going to care about what you do more than you.
I think the record industry, by and large what's left of it, is still totally homophobic. I think it's much less so in the film industry now, but the record industry, it's always been a man's world.
I think a lot of people have predicted the demise of cash, and they've frequently been wrong. But there's no question that the smartphone is leading to the digitization of money. You really now have all the power of a bank branch in the palm of your hand.
I think initially, the record industry struggled a lot with digital media because there are a lot of aspects to it that can potentially destroy our industry.
Digital has really made the fashion industry a lot more transparent. So people can see and understand how the industry really works, and participate in an industry that was very inaccessible to people. The only thing that people used to see before was the end product. Anyone can participate in it now.
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.
Europe has never been a monolithic space, it contains a lot of people, a lot of languages and infinite supplies of history. I didn't need to do anything to showcase diversity. It is a condition of life and art in Europe, contained in every random sample.
Jazz radio is not very friendly to pop singers who decide to make a jazz record. But a lot of people have been. A lot of the people I've talked to like the record.
I'd like to think that what I've written over the years and what I'm doing now means something to people. People in the street all the time are saying "love the new record" or "I love that record," this tune or that tune. It means an awful lot, or it's been a big part of their lives. As a songwriter, what else would you really want? You're trying to connect with people, people's emotions, and maybe say something about their lives or feelings. That's probably a good enough compliment to receive, really.
The Paris Agreement is an agreement that has really such a huge, huge level of credibility and strength. Not only was it signed by more than 190 countries in record time, it has also been ratified in record time, and it has also, really, also a lot of support form the people, the public in general.
Hollywood is really weird to talk about in this monolithic sense because it's this microcosm of anywhere. It's full of a lot of people who have different intentions and different points of view.
The music industry is in such poor shape; it's in a really bad way, and a lot of people in the industry are very depressed.
I'm a big fan of a lot of prog music. As a record collector as well, I won't throw anybody or any band under the bus, but a lot of the records are fun to collect, are not necessarily very good. There are a lot of prog bands out there that it's a really cool record, but it's, like, not really there.
We have a problem in the industry, I believe. This whole 'free' issue. The television industry doesn't have it, the movie industry doesn't have it, but the record industry has it.
I've been asked to explain why I don't worry much about the topics of privacy threat...One reason is that these scenarios seem to assume that there will be large, monolithic bureaucracies...that are capable of harnessing computers for one-way surveillance of an unsuspecting populace. I've come to feel that computation just doesn't work that way. Being afraid of monolithic organizations especially when they have computers, is like being afraid of really big gorillas especially when they are on fire.
I'm not saying that people have to listen to rock music. It's a great, cool thing and it can really be liberating for a lot of people but, hey, so can Charles Dickens so I'm not going to judge.
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