A Quote by Moby

When I do have time to work on music, I'm kind of selfish, and would rather work on my own stuff than someone else's. — © Moby
When I do have time to work on music, I'm kind of selfish, and would rather work on my own stuff than someone else's.
Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.
Our work is to make ourselves visible in the world. This is the soul's individual journey, and the soul would much rather fail at its own life than succeed at someone else's.
I've been getting publishing royalties and stuff like that. I have just been lucky. They come in at the right time. Sometimes they don't, but I am not wealthy or anything like that. I just love to work. I would rather work three hundred and something days out of the year. I would rather be working. They don't know. I love playing. Then I can really get my music together.
I genuinely believed no one would want to marry me. I am difficult to live with. I'm selfish, quite weird and I need time on my own to think - and then I work all night long. That is difficult for someone to deal with. And it would drive me mad - I could never be my own girlfriend!
I love to work. It's the idea of having someone else tell you how to make your film or how to sell it - that's the part I can't really deal with. I would rather do 1,000 things that are work than deal with one thing that's a political problem.
If the audience lets that stuff wash over them, you know - almost like music, rather than dialogue - and doesn't fight it, then they'll have a much easier time rather than being sort of frustrated and confused otherwise. But if you get in the right state of mind it really does work quite well.
When you're jealous, especially of someone else's art or creations you automatically put up these selfish walls that reinforce your stupid ideas. It's hard to pull those walls down and look at what you're hiding. Look at your own weakness and realize that the jealousy came from knowing that you're intimidated by someone else's work, and that when you compare it to your own, you fall short.
I usually work in a room which is totally cluttered with my mess, and there's stuff everywhere, and it's kind of chaotic because I am a very messy person. I could totally write in a pristine environment, but it would mean I would have to be at someone else's house.
I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.
There are a lot of producers and people in the music industry who take credit for the work of others when it's not actually their work. Especially big producers - they have a song that's written by one guy with a produced mix by someone else and then it's sung by someone else.
I had promised myself when I first got started that if I got to the point my life where I started feeling 'Gee, I'd rather be at home than at work', and that started happening more often than not, that it would be time to leave. I'd wake up some days and go "Oh, I don't even know if I want to go face this anymore". I would, I would go do it, I'm a dutiful kind of person and not afraid of work.
A job is a vocation only if someone else calls you to do it for them rather than for yourself. And so our work can be a calling only if it is reimagined as a mission of service to something beyond merely our own interests. Thinking of work mainly as a means of self-fulfillment and self-realization slowly crushes a person.
I think this co-operative scheme is an uncommonly good one. It's much easier to work on someone else's job than one's own - gives one that delightful feelin' of interferin' and bossin' about, combined with the glorious sensation that another fellow is takin' all one's own work off one's hands.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.
I would rather be my own tyrant than have someone else tyrannize me.
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