A Quote by Mose Allison

All the classic jazz players all sang and a lot of 'em sang blues. — © Mose Allison
All the classic jazz players all sang and a lot of 'em sang blues.
My main influences have always been the classic jazz players who sang, like Louis Armstrong and Nat King Cole and Jack Teagarden.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
All through the deep blue night The fountain sang alone; It sang to the drowsy heart of the satyr carved in stone. The fountain sang and sang But the satyr never stirred- Only the great white moon In the empty heaven heard.
I sang 'A Closer Walk with Thee' along with blues singer Brownie McGhee, ... Then there was a show where Carol Houston, an actress on 'Matlock' sang 'It Is Well With My Soul' accompanied by a choir. Boy, that was powerful.
I've done the Kennedy Center many times. I've sang for Marian Anderson. I've sang for Marion Williams. I've sang for Lionel Hampton.
I know it was all a bit of a sham. But I know that Mickey Dolenz sang. And Davy Jones sang. And Mike Nesmith sang. And Peter Tork did something.
I sang opera, I sang show tunes. I got into a rock band for a while. I've sung a lot of different things.
XI I sang his name instead of song; Over and over I sang his name: Backward and forward I sang it along, With my sweetest notes, it was still the same! I sang it low, that the slave-girls near Might never guess, from what they could hear, That all the song was a name.
I sang 'All Of Me' at the wedding. I sang 'Stay With You' from my first album. And then Stevie Wonder came up and sang 'Ribbon In the Sky.' It was impromptu... It was cool... He's always been a friend and a mentor to me.
I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
Whenever I sing blues from the '50s or the kind of blues that you might have heard Eric Clapton or Duane Allman emulate, I often feel the similarity of some of the ragtime stuff I sang early on. A lot of the phrasing and the harmonization is the same.
I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz.
When I started off in Wales, I sang and accompanied myself with guitar in the '50s. And then I got a band together, which is a rhythm section, really. I used to do a lot of blues, and rhythm and blues, and '50s rock 'n' roll and country, and all kinds of stuff.
I grew up with music in the house. I was told I could sing as soon as I started talking. Everybody in my family sang, always lots of records, blues and jazz and soul, R&B, you know, like Mahalia Jackson, Aretha Franklin, Coltrane, that kind of thing.
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