A Quote by Mose Allison

There's a few tunes of mine that don't have jokes, but most of them have a joke and they have a humorous point of view somewhere. — © Mose Allison
There's a few tunes of mine that don't have jokes, but most of them have a joke and they have a humorous point of view somewhere.
I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
If you can't joke about the most horrendous things in the world, what's the point of jokes? What's the point in having humor? Humor is to get us over terrible things.
Cultivate a sense of humour. From a humorous point of view this lunch is rather good.
I'd buy joke books and try doing them at school; I always had jokes. That would be my go-to thing at parties: I'd be able to get through them if I just told enough jokes. Otherwise, I wouldn't end up talking to anybody.
Men love a joke - on the other fellow. But your really humorous woman loves a joke on herself.
I'm a joke comic. I tell jokes. I like writing a joke, and I like when a joke works, and I like other comics who tell jokes.
For a short period of time, I was like, I have these jokes and if people get them, they get them. And then eventually, I was like, Oh no. It's absolutely my job to convey to people why what I think is funny, is funny. The whole point of standup is to get the audience to understand your weird point of view.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
I think the most important thing I do as head writer of 'Kenan & Kel' and 'All That' is make sure any jokes we do, any situations we approach are from a kid's point of view.
Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.
I loved Omar Vizquel. He tells some really long jokes, and he has his own way of telling them, but he can make every joke very funny. He would always come up with jokes on the loudspeaker on the bus.
In theory we understand people, but in practice we can't put up with them, I thought, deal with them for the most part reluctantly and always treat them from our point of view. We should observe and treat people not from our point of view but from all angles, I thought, associate with them in such a way that we can say we associate with them so to speak in a completely unbiased way, which however isn't possible, since we actually are always biased against everybody.
I'm a taker in terms of jokes. I love to hear a good joke, but I don't retain jokes. I'm not a good teller of jokes.
I think there are very few brands with a person's point of view behind them.
Our tunes aren't just sing-along tunes: they're very complex. After a few days of that, you gotta take a break.
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