A Quote by Monte Pittman
By being able to play different styles I can get more work. I also learn so much from each of those experiences. It keeps everything from getting stale.
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I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also different styles and genres. And so, all of these things have influenced me along the way and I take a little bit from everything I do. I've been lucky to work with a lot of great people and learn from them.
I spent a lot of time with the Neville Brothers and Dr. John and different people. They play different styles of music, and it allowed me to learn different styles.
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
We've gotten better at shooting down routine material or stuff we feel like we've done better in the past. Getting different people in the band for periods also keeps it from going stale.
I think it's being able to do both, obviously being able to play your role in the team and those responsibilities but also being able to have that freedom... to express yourself in the way that you play.
The big difference between TV and theater is that you get to do a new play every week, so it's quite challenging, but it keeps you fresh. There's never any fear of getting stale in your performance.
The more that I can work in different mediums, the more I can grow, and learn from different actors and different types of actors and directors and different styles of acting and build a tool box.
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
All managers have a different playing style and football philosophy. What's important for players is being able adapt to those different styles.
You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.
To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?
Everything evolves naturally in life. It's not limited to beauty or music. The more experience you get, the more you find out about yourself. Everything becomes more and more an expression of the real you. I can play different characters. Sometimes I feel tomboy or glam or playful. When you perform, you can convey emotions differently, and your look can reflect each of those emotions.
It is great to work on different scripts with different directors who have different styles. You get so much experience from that.
We had a chance to see a lot of different styles of play and you had to adapt to the different style each team plays. That?s going to help us come tournament time because the game in the Pac-10 is different from the Big East and we know how to adapt to the different styles. I?m glad I had that opportunity.
As the world is getting smaller, it becomes more and more important that we learn each other's dance moves, that we meet each other, we get to know each other, we are able to figure out a way to cross borders, to understand each other, to understand people's hopes and dreams, what makes them laugh and cry.
Acting-wise, I've had all these experiences. Yet when I look at certain people whose careers I admire, they've gotten to play so many different characters. So it's just that - getting to have more of these singular little adventures where you get to be a part of a completely different world.
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