A Quote by Mordechai Vanunu
I said the kidnapping is a crime. I have the right to speak about the crime done against me. They didn't like me to speak about this crime. So I decided to reveal it to the public.
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The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
The causes of crime are very complicated. But there is a very big literature, as you know, about single parenthood in crime, about race in crime, and about poverty in crime.
If it comes to a question of law, the charges they brought against me - the Espionage Act - is called the quintessential political crime. A political crime, in legal terms, is defined as any crime against a state, as opposed to against an individual. Assassination, for example, is not a political crime because you've killed a person, an individual, and they've been harmed; their family's been harmed. But the state itself, you can't be extradited for harming it.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
As Albert Camus wrote, the doctor’s role is as a witness – to witness authentically the reality of humanity, and to speak out against the horrors of political inaction... The only crime equaling inhumanity is the crime of indifference, silence, and forgetting.
And while we destroy / Our children will grow / Not missing the things they'll never know / A crime against them / Against you and me / A crime against all humanity
The Dutch are still allowed to speak critically about Islam, and resistance against Islamization is not a crime.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
I'm not at all upset to be considered a crime novelist. But for me, it's never really about the crime or the violence. I'm much more interested in exploring issues.
Why is thinking about crime or imagining crime so goddamn central to pop culture? It doesn't matter whether it's American TV or British TV. And there's entire sections of bookstores devoted to crime.
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
If today you can take a thing like evolution and make it a crime to teach it in the public school, tomorrow you can make it a crime to teach it in the private schools, and the next year you can make it a crime to teach it to the hustings or in the church. At the next session you may ban books and newspapers. Soon you may set Catholic against Protestant and Protestant against Protestant, and try to foist your own religion upon the minds of men.
'By Any Means' follows a team of behind-the-scenes crime-prevention team - not police. They basically go to the areas of crime where the police can't touch and organised crime fighting units can't go to - in the public eye - to bring about real justice, treading the line between 'true' justice and what the law says is justice.
There's this old line the wise folks in Washington have that "it's not the crime, but the cover-up." But only fools believe that. It's always about the crime. The whole point of the cover-up is that a full revelation of the underlying crime is not survivable.
During the Great Depression, levels of crime actually dropped. During the 1920s, when life was free and easy, so was crime. During the 1930s, when the entire American economy fell into a government-owned alligator moat, crime was nearly non-existent. During the 1950s and 1960s, when the economy was excellent, crime rose again.
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