A Quote by Maureen Connolly

Tennis can be a grind and there's always the danger of going stale if you think about it too much. You can get embittered if you train too hard and have nothing else on your mind. You have to be able to relax between matches and between tournaments.
You are learning too much, remembering too much, trying to hard relax a little bit, give life a chance to flow its own way, unassisted by your mind and effort. Stop directing the river's flow!
There's always some extent of luck going into getting a job. I try not to think too much about my own looks or how I work. There's a danger in becoming too self-aware.
The biggest danger is that actors become entirely too dependent on the idea of training. They think that if they continue to train and train and train, it's going to make them better.
And when you try too hard, it doesn't work. Try grabbing something quickly and precisely with a tensed-up arm; then relax and try it again. Try doing something with a tense mind. The surest way to become Tense, Awkward, and Confused is to develop a mind that tries too hard-one that thinks too much.
Danger is part of my job. It's always there, but you can't think about it too much otherwise you start to be too slow.
I've always thought that the balance between the side of my mind that knows what it is doing and the side that really hasn't got a clue has to be carefully maintained because if you write too knowingly then you get chilly, and if you write too unknowingly you write bollocks that nobody else can understand.
I think business is the same as tennis. You have to have the love, that helps, or else it's just too much pressure to be able to keep up with.
The hard work, you discover over the years, is in learning to discern between correct and incorrect anxiety, between the anxiety that's trying to warn you about a real danger and the anxiety that's nothing more than a lying, sadistic, unrepentant bully in your head.
I think we've always got to have a mind of the feeling for the supporters about the importance of each match. We've got to be careful not to make tournaments too big and then make qualifying too straightforward.
If something takes too long, something happens to you. You become all and only the thing you want and nothing else, for you have paid too much for it, too much in wanting and too much in waiting and too much in getting.
I was really able to confirm something that I knew on some level before I'd made a film. The best actors know how to really relax. Because in film, a lot of the decisions are made in the editing room, so when you're trying to guide your performance too much - always it's a push and pull because you can't be too relaxed. Too relaxed and it's like, "What are you doing?" Too tense and it's not good either.
Shoes are the first thing I notice on a man. I like classic styles - not too square, not too pointy, not too fashiony. There's a fine line between too much and too little effort.
I believe there is no other difference between those who are called courageous and those who are branded craven than that the second are fearful before the danger and the first after it. No one can be much frightened, certainly, during a period of great and immanent peril -- the mind is too much concentrated on the thing itself, and on the actions necessary to meet or avoid it. The coward is a coward, then, because he has brought his fear with him; persons we think cowardly will sometimes amaze us by their bravery, if they have had no forewarning of their danger.
Your mind can't always tell the difference between pretend and reality if you pretend too long; or if you go too deep and really believe in what you're doing. If you're going to be that kind of actor and go way out there, it's really important to take care of yourself and have a safe place, whatever that is.
In millions of encounters each year between the police and the public, it may be too much to expect that every officer will always get it right. But it is not too much to expect that we can put the right safeguards in place to hold officers accountable when they get it wrong.
The body, the mind, and the spirit don't form a pyramid, they form a circle. Each of them runs into the other two. The body isn't below the mind and the spirit; from the point of view it's between them. if you reside too much in the mind, then you get too abstract and cut off from the world. You long for the spiritual life, but you can't get to it, and you fall into despair. The exercise of the senses frees you from abstraction and opens the way to transcendence.
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