A Quote by Maureen Lipman

Acting requires absorption, but not self-absorption and, in the actor's mind, the question must always be 'Why am I doing this?,' not 'How am I doing it? — © Maureen Lipman
Acting requires absorption, but not self-absorption and, in the actor's mind, the question must always be 'Why am I doing this?,' not 'How am I doing it?
Never underestimate the power of self-absorption, including your parents' self-absorption.
There are periods where you think, "What am I doing?" or "What am I doing it for?"; that's a more scary question. "I've made s---loads of money, I've left my mark in music, why am I still doing this?," and it takes a while to answer that question.
Salvakalpa samadhi is absorption in eternity to the point where there is no real concept of self but there's still a karmic chain. Nirvikalpa samadhi is absorption in nirvana; concepts of self and no-self go away completely.
Why am I doing the work I'm doing? Why am I friends with this person? Am I living the best life I possibly can? Questions are often looked upon as questions of doubt but I don't see it that way at all. I question things to stay present, to make sure I'm doing what I'm supposed to be doing.
Happiness lies outside yourself, is achieved through interacting with others. Self-forgetfulness should be one's goal, not self-absorption. The male, capable of only the latter, makes a virtue of an irremediable fault and sets up self-absorption, not only as a good but as a Philosophical Good.
The way I played music there was the way I wanted to farm, chop wood, cook, make love, raise children. Everything. A lo of it had to do with things I felt while I played. If only I could feel that sense of total absorption in what I was doing when I was doing other things. It was more than absorption, it was spontaneity, competence, a sense of grace and playfulness, of being in touch with an inexhaustible source of energy and beauty.
It takes me some time to get into what I am doing - since I am not a trained actor, I don't have that skill. I have to think of what I am doing and how it comes through.
Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.
I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?'
I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?
I don't want to become a star. I never wished to become an actor, even when I am here. When you decide to become an actor, you've to choose why you're doing it. Are you doing it to become an actor or because you want to be famous? I am doing it because I love being in front of the camera.
What I am doing; how I am being as I am doing it; and does it bring honor to my community? What is the lesson in what I am doing? And most importantly, am I having fun?
When evangelizers rise from prayer, their hearts are more open; freed of self-absorption, they are desirous of doing good and sharing their lives with others.
I always feel secure. I can't be a pure actor if I feel insecure. I can't let other things take over my love for acting. For me, it's a giving art. It is not something which I am doing for myself. I am doing it for my co-actors, unless it is something like 'Trapped'.
Self-absorption is always a temptation to young people, and if their religion is of a sort to add to this self-absorption, I feel that it is a serious mistake. If I had my way, the whole subject of feelings and emotions in the religious life would be absolutely ignored. Feelings there will be, doubtless, but they must not be in the least depended on, nor in any sense taken as the test or gauge of one's religion. They ought to be left out of the calculation entirely. You may feel good or you may feel bad, but neither the good feeling nor the bad feeling affects the real thing.
When I was dancing, whether it was the music or the story, the question was 'Why am I doing this piece, and why am I dancing?' It is exactly the same when you are acting. You have a very close relationship with your body movement. You have to find the physicality of your character.
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